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"Music, once admitted to the soul, becomes a sort of spirit, and never dies. " Edward George Bulwer-Lytton
Guiseppe Verdi
Giuseppe Fortunino Francesco Verdi (Italian pronunciation: ; 10 October 1813 – 27 January 1901) was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century. His works are frequently performed in opera houses throughout the world and, transcending the boundaries of the genre, some of his themes have long since taken root in popular culture - such as "La donna è mobile" from Rigoletto, "Va, pensiero" (The Chorus of the Hebrew Slaves) from Nabucco, "Libiamo ne' lieti calici" (The Drinking Song) from La traviata and the "Grand March" from Aida. Although his work was sometimes criticized for using a generally diatonic rather than a chromatic musical idiom and having a tendency toward melodrama, Verdi’s masterworks dominate the standard repertoire a century and a half after their composition.
Verdi's predecessors who influenced his music were Rossini, Bellini, Giacomo Meyerbeer and, most notably, Gaetano Donizetti and Saverio Mercadante. With the exception of Otello and Aida, he was free of Wagner's influence. Although respectful of Gounod, Verdi was careful not to learn anything from the Frenchman whom many of Verdi's contemporaries regarded as the greatest living composer. Some strains in Aida suggest at least a superficial familiarity with the works of the Russian composer Mikhail Glinka, whom Franz Liszt, after his tour of the Russian Empire as a pianist, popularized in Western Europe.
Throughout his career, Verdi rarely utilised the high C in his tenor arias, citing the fact that the opportunity to sing that particular note in front of an audience distracts the performer before and after the note appears. However, he did provide high Cs to Duprez in Jérusalem and to Tamberlick in the original version of La forza del destino. The high C often heard in the aria Di quella pira does not appear in Verdi's score.
Verdi's predecessors who influenced his music were Rossini, Bellini, Giacomo Meyerbeer and, most notably, Gaetano Donizetti and Saverio Mercadante. With the exception of Otello and Aida, he was free of Wagner's influence. Although respectful of Gounod, Verdi was careful not to learn anything from the Frenchman whom many of Verdi's contemporaries regarded as the greatest living composer. Some strains in Aida suggest at least a superficial familiarity with the works of the Russian composer Mikhail Glinka, whom Franz Liszt, after his tour of the Russian Empire as a pianist, popularized in Western Europe.
Throughout his career, Verdi rarely utilised the high C in his tenor arias, citing the fact that the opportunity to sing that particular note in front of an audience distracts the performer before and after the note appears. However, he did provide high Cs to Duprez in Jérusalem and to Tamberlick in the original version of La forza del destino. The high C often heard in the aria Di quella pira does not appear in Verdi's score.
Traditional
Schumman
Robert Schumann was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist.
james newton howard
James Newton Howard (born June 9, 1951) is an American composer, conductor, and music producer. He has scored over 100 films and is the recipient of a Grammy Award, Emmy Award, and eight Academy Award nominations. His film scores include Pretty Woman (1990), The Fugitive (1993), The Devil's Advocate (1997), Dinosaur (2000), Atlantis: The Lost Empire (2001), Treasure Planet (2002), King Kong (2005), Batman Begins (2005), Blood Diamond (2006), The Dark Knight (2008), The Bourne Legacy (2012), The Hunger Games series (2012–2015) and Fantastic Beasts and Where to Find Them (2016). He has collaborated with directors M. Night Shyamalan, having scored nine of his films since The Sixth Sense, and Francis Lawrence, having scored all of his films since I Am Legend.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Ferdinando Carulli
Ferdinando Maria Meinrado Francesco Pascale Rosario Carulli (February 9, 1770 – February 17, 1841) was one of the most famous composers for classical guitar and the author of the first complete classical guitar method, which continues to be used today. He wrote a variety of works for classical guitar, including concertos and chamber works. He was an extremely prolific writer for guitar, composing over 400 works for the instrument in the space of 12 years.
Carulli was born in Naples, Kingdom of Naples on February 9, 1770. His father, Michele, was a distinguished literator, secretary to the delegate of the Neapolitan Jurisdiction. Like many of his contemporaries, he was taught musical theory by a priest, who was also an amateur musician. Carulli's first instrument was the cello, but when he was twenty he discovered the guitar and devoted his life to the study and advancement of the guitar. As there were no professional guitar teachers in Naples at the time, Carulli developed his own style of playing.
Carulli was a gifted performer. His concerts in Naples were so popular that he soon began touring Europe. Around 1801 Carulli married a French woman, Marie-Josephine Boyer, and had a son with her. A few years later Carulli started to compose in Milan, where he contributed to local publications. After a highly successful Paris tour, Carulli moved there. At the time the city was known as the 'music-capital' of the world, and he stayed there for the rest of his life.
In Paris Carulli became a very successful musician and teacher. He fulfilled his intention of making the guitar popular and fashionable among the upper classes and Paris musicians. It was also in Paris that he published most of his works, eventually becoming a publisher himself and printing the works of other prominent guitarists.
In the 1830s, many European guitarists followed Carulli to Paris, apparently "attracted by his personality". With so many other guitarists in Paris, Carulli worked harder at his teaching, and soon had counted members of the Parisian nobility among his students.
Many of the pieces now regarded as Carulli's greatest were initially turned down by the publishers as being too hard for the average player, and it is likely that many masterpieces were lost this way. Undeterred, Carulli started publishing his pieces himself. However, the great majority of Carulli's surviving works are those that were considered 'safe' enough to be accepted by other publishers, mainly for the teaching of certain techniques or for beginners. Although he had many students and supporters, Carulli began to believe he didn't deserve his impressive reputation because most of the great works he had composed were never published.
Confined to mainly simple pieces, Carulli wrote his world-famous method of classical guitar, "Harmony Applied to the Guitar", a collection of pieces that are still used today in tuition. At the time of publishing, the method was very popular and had many editions published.
Later in life, Carulli began to experiment with changes in guitar construction. With Lacote, a French guitar maker, he made some significant changes for improving the sound of the guitar.
Carulli died in Paris on February 17, 1841, aged 71.
Carulli was born in Naples, Kingdom of Naples on February 9, 1770. His father, Michele, was a distinguished literator, secretary to the delegate of the Neapolitan Jurisdiction. Like many of his contemporaries, he was taught musical theory by a priest, who was also an amateur musician. Carulli's first instrument was the cello, but when he was twenty he discovered the guitar and devoted his life to the study and advancement of the guitar. As there were no professional guitar teachers in Naples at the time, Carulli developed his own style of playing.
Carulli was a gifted performer. His concerts in Naples were so popular that he soon began touring Europe. Around 1801 Carulli married a French woman, Marie-Josephine Boyer, and had a son with her. A few years later Carulli started to compose in Milan, where he contributed to local publications. After a highly successful Paris tour, Carulli moved there. At the time the city was known as the 'music-capital' of the world, and he stayed there for the rest of his life.
In Paris Carulli became a very successful musician and teacher. He fulfilled his intention of making the guitar popular and fashionable among the upper classes and Paris musicians. It was also in Paris that he published most of his works, eventually becoming a publisher himself and printing the works of other prominent guitarists.
In the 1830s, many European guitarists followed Carulli to Paris, apparently "attracted by his personality". With so many other guitarists in Paris, Carulli worked harder at his teaching, and soon had counted members of the Parisian nobility among his students.
Many of the pieces now regarded as Carulli's greatest were initially turned down by the publishers as being too hard for the average player, and it is likely that many masterpieces were lost this way. Undeterred, Carulli started publishing his pieces himself. However, the great majority of Carulli's surviving works are those that were considered 'safe' enough to be accepted by other publishers, mainly for the teaching of certain techniques or for beginners. Although he had many students and supporters, Carulli began to believe he didn't deserve his impressive reputation because most of the great works he had composed were never published.
Confined to mainly simple pieces, Carulli wrote his world-famous method of classical guitar, "Harmony Applied to the Guitar", a collection of pieces that are still used today in tuition. At the time of publishing, the method was very popular and had many editions published.
Later in life, Carulli began to experiment with changes in guitar construction. With Lacote, a French guitar maker, he made some significant changes for improving the sound of the guitar.
Carulli died in Paris on February 17, 1841, aged 71.
Hermeto Pascoal
Hermeto Pascoal (born June 22, 1936) is a Brazilian composer and multi-instrumentalist. He was born in Lagoa da Canoa, Alagoas, Brazil. Pascoal is a significant figure in the history of Brazilian music, mainly known for his abilities in orchestration and improvisation, as well as being a record producer and contributor to many Brazilian and international albums.
Georg Philip Telemann
Georg Philipp Telemann (24 March 1681 – 25 June 1767) (German pronunciation: ) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him.
Georges Bizet
Georges Bizet (25 October 1838 – 3 June 1875) was a French composer and pianist of the Romantic era. He is best known for the opera Carmen.
Bizet was born at 26 rue de la Tour d'Auvergne in the 9th arrondissement of Paris in 1838. He was registered with the legal name Alexandre César Léopold Bizet, but he was baptised on 16 March 1840 with the first name Georges, and he was always known thereafter as Georges Bizet. His father Adolphe Armand Bizet (1810-86) was an amateur singer and composer, and his mother, Aimée Léopoldine Joséphine née Delsarte (1814-61), was the sister of the famous singing teacher François Delsarte.
He entered the Paris Conservatory of Music on 9 October 1848, a fortnight before his tenth birthday. His teachers there were Pierre Zimmermann (fugue and counterpoint; often assisted by his son-in-law Charles Gounod), Antoine François Marmontel (piano), François Benoist (organ) and, on Zimmermann's death, Fromental Halévy, whose daughter he himself later married. He won first prizes for organ and fugue in 1855 and completed his earliest compositions.
His first symphony, the Symphony in C, was written in November 1855, when he was seventeen, evidently as a student assignment. It was unknown to the world until 1933, when it was discovered in the archives of the Paris Conservatory library. Upon its first performance in 1935, it was immediately hailed as a junior masterwork and a welcome addition to the early Romantic period repertoire. The symphony bears a stylistic resemblance to the first symphony of Gounod, first played earlier in the same year, and which Bizet had arranged for two pianos although present-day listeners may discern a similarity to music of Franz Schubert, whose work was little known in France at the time the symphony was written.
In 1857, a setting of the one-act operetta Le docteur Miracle won him a share in a prize offered by Jacques Offenbach. He also won the music composition scholarship of the Prix de Rome, the conditions of which required him to study in Rome for three years. There, his talent developed as he wrote such works as the opera buffa Don Procopio (1858-59). There he also composed his only major sacred work, Te Deum (1858), which he submitted to the Prix Rodrigues competition, a contest for Prix de Rome winners only. Bizet failed to win the Prix Rodrigues, and the Te Deum score remained unpublished until 1971. He made two attempts to write another symphony in 1859, but destroyed the manuscripts in December of that year. Apart from this period in Rome, Bizet lived in the Paris area all his life.
Shortly after leaving Rome in July 1860, but while still touring in Italy, he had the idea of writing a symphony in which each of the four movements would be a musical evocation of a different Italian city – Rome, Venice, Florence and Naples. On hearing of his mother's serious illness he cut short his Italian travels and returned to Paris in September 1860; she died a year later. The Scherzo of the symphony was completed by November 1861, but it was not until 1866 that the first version of the whole symphony was written. He subjected it to a number of revisions through to 1871, but died before ever producing what he considered the definitive version. For this reason, the work is sometimes described as "unfinished", but this is an inaccurate description as it was fully scored. It was published in 1880 as the Roma Symphony.
Bizet was born at 26 rue de la Tour d'Auvergne in the 9th arrondissement of Paris in 1838. He was registered with the legal name Alexandre César Léopold Bizet, but he was baptised on 16 March 1840 with the first name Georges, and he was always known thereafter as Georges Bizet. His father Adolphe Armand Bizet (1810-86) was an amateur singer and composer, and his mother, Aimée Léopoldine Joséphine née Delsarte (1814-61), was the sister of the famous singing teacher François Delsarte.
He entered the Paris Conservatory of Music on 9 October 1848, a fortnight before his tenth birthday. His teachers there were Pierre Zimmermann (fugue and counterpoint; often assisted by his son-in-law Charles Gounod), Antoine François Marmontel (piano), François Benoist (organ) and, on Zimmermann's death, Fromental Halévy, whose daughter he himself later married. He won first prizes for organ and fugue in 1855 and completed his earliest compositions.
His first symphony, the Symphony in C, was written in November 1855, when he was seventeen, evidently as a student assignment. It was unknown to the world until 1933, when it was discovered in the archives of the Paris Conservatory library. Upon its first performance in 1935, it was immediately hailed as a junior masterwork and a welcome addition to the early Romantic period repertoire. The symphony bears a stylistic resemblance to the first symphony of Gounod, first played earlier in the same year, and which Bizet had arranged for two pianos although present-day listeners may discern a similarity to music of Franz Schubert, whose work was little known in France at the time the symphony was written.
In 1857, a setting of the one-act operetta Le docteur Miracle won him a share in a prize offered by Jacques Offenbach. He also won the music composition scholarship of the Prix de Rome, the conditions of which required him to study in Rome for three years. There, his talent developed as he wrote such works as the opera buffa Don Procopio (1858-59). There he also composed his only major sacred work, Te Deum (1858), which he submitted to the Prix Rodrigues competition, a contest for Prix de Rome winners only. Bizet failed to win the Prix Rodrigues, and the Te Deum score remained unpublished until 1971. He made two attempts to write another symphony in 1859, but destroyed the manuscripts in December of that year. Apart from this period in Rome, Bizet lived in the Paris area all his life.
Shortly after leaving Rome in July 1860, but while still touring in Italy, he had the idea of writing a symphony in which each of the four movements would be a musical evocation of a different Italian city – Rome, Venice, Florence and Naples. On hearing of his mother's serious illness he cut short his Italian travels and returned to Paris in September 1860; she died a year later. The Scherzo of the symphony was completed by November 1861, but it was not until 1866 that the first version of the whole symphony was written. He subjected it to a number of revisions through to 1871, but died before ever producing what he considered the definitive version. For this reason, the work is sometimes described as "unfinished", but this is an inaccurate description as it was fully scored. It was published in 1880 as the Roma Symphony.
Cecile Chaminade
Cécile Louise Stéphanie Chaminade (August 8, 1857 – April 13, 1944) was a French composer and pianist.
Born in Paris, she studied at first with her mother, then with Félix Le Couppey, Augustin Savard, Martin Pierre Marsick and Benjamin Godard, but not officially, since her father disapproved of her musical education.
Her first experiments in composition took place in very early days, and in her eighth year she played some of her sacred music to Georges Bizet, who was much impressed with her talents. She gave her first concert when she was eighteen, and from that time on her work as a composer gained steadily in favor. She wrote mostly character pieces for piano, and salon songs, almost all of which were published.
She toured France several times in those earlier days, and in 1892 made her début in England, where her work was extremely popular.
Chaminade married a music publisher from Marseilles, Louis-Mathieu Carbonel, in 1901, and on account of his advanced age the marriage was rumored to be one of convenience. He died in 1907, and Chaminade did not remarry.
In 1908 she visited the United States, and was accorded a very hearty welcome from her innumerable admirers there. Her compositions were tremendous favorites with the American public, and such pieces as the Scarf dance or the Ballet No. 1 were to be found in the music libraries of many lovers of piano music of the time. She composed a Konzertstück for piano and orchestra, the ballet music to Callirhoé and other orchestral works. Her songs, such as The Silver Ring and Ritournelle, were also great favorites. Ambroise Thomas, the celebrated French composer and writer, once said of Chaminade: "This is not a woman who composes, but a composer who is a woman." In 1913, she was awarded the Légion d'Honneur, a first for a female composer. In London, 1903, she made gramophone recordings of six of her compositions for the Gramophone and Typewriter Company; these are among the most sought-after piano recordings by collectors. Before and after World War I, Chaminade recorded many piano rolls, but as she grew older, she composed less and less, dying in Monte Carlo on April 13, 1944.
Born in Paris, she studied at first with her mother, then with Félix Le Couppey, Augustin Savard, Martin Pierre Marsick and Benjamin Godard, but not officially, since her father disapproved of her musical education.
Her first experiments in composition took place in very early days, and in her eighth year she played some of her sacred music to Georges Bizet, who was much impressed with her talents. She gave her first concert when she was eighteen, and from that time on her work as a composer gained steadily in favor. She wrote mostly character pieces for piano, and salon songs, almost all of which were published.
She toured France several times in those earlier days, and in 1892 made her début in England, where her work was extremely popular.
Chaminade married a music publisher from Marseilles, Louis-Mathieu Carbonel, in 1901, and on account of his advanced age the marriage was rumored to be one of convenience. He died in 1907, and Chaminade did not remarry.
In 1908 she visited the United States, and was accorded a very hearty welcome from her innumerable admirers there. Her compositions were tremendous favorites with the American public, and such pieces as the Scarf dance or the Ballet No. 1 were to be found in the music libraries of many lovers of piano music of the time. She composed a Konzertstück for piano and orchestra, the ballet music to Callirhoé and other orchestral works. Her songs, such as The Silver Ring and Ritournelle, were also great favorites. Ambroise Thomas, the celebrated French composer and writer, once said of Chaminade: "This is not a woman who composes, but a composer who is a woman." In 1913, she was awarded the Légion d'Honneur, a first for a female composer. In London, 1903, she made gramophone recordings of six of her compositions for the Gramophone and Typewriter Company; these are among the most sought-after piano recordings by collectors. Before and after World War I, Chaminade recorded many piano rolls, but as she grew older, she composed less and less, dying in Monte Carlo on April 13, 1944.
Carlos Guastavino
Carlos Guastavino was one of the foremost Argentine composers of the 20th century. His production amounted to over 500 works, most of them songs for piano and voice, many still unpublished. His style was quite conservative, always tonal and lusciously romanti
Igor Stravinsky
Igor Fyodorovich Stravinsky (17 June 1882 – 6 April 1971) was a Russian-born, naturalised French, later naturalised American composer, pianist, and conductor.
He is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century. He became a naturalised French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre Souvtchinsky he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and later collected under the title Poétique musicale in 1942 (translated in 1947 as Poetics of Music). Several interviews in which the composer spoke to Robert Craft were published as Conversations with Igor Stravinsky. They collaborated on five further volumes over the following decade.
He is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century. He became a naturalised French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre Souvtchinsky he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and later collected under the title Poétique musicale in 1942 (translated in 1947 as Poetics of Music). Several interviews in which the composer spoke to Robert Craft were published as Conversations with Igor Stravinsky. They collaborated on five further volumes over the following decade.
John Williams
John Towner Williams (born February 8, 1932) is an American composer, conductor, and pianist. In a career that spans six decades, Williams has composed many of the most famous film scores in Hollywood history, including Star Wars, Superman, Home Alone, the first three Harry Potter movies and all but two of Steven Spielberg's feature films including the Indiana Jones series, Schindler's List, E.T. the Extra-Terrestrial, Jurassic Park and Jaws. He also composed the soundtrack for the hit 1960s television series Lost in Space as well as the fanfare of the DreamWorks Pictures' logo.
Williams has composed theme music for four Olympic Games, the NBC Nightly News, the rededication of the Statue of Liberty, and numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Award. He has also won four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.
Williams has composed theme music for four Olympic Games, the NBC Nightly News, the rededication of the Statue of Liberty, and numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Award. He has also won four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.
Bernard Dewagtere
Doctor of musicology, conductor and composer, I manage ACCELERANDO, vocational musical school
The Beatles
The Beatles were a pop and rock group from Liverpool, England formed in 1960. Primarily consisting of John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals) and Ringo Starr (drums, vocals) throughout their career, The Beatles are recognised for leading the mid-1960s musical "British Invasion" into the United States. Although their initial musical style was rooted in 1950s rock and roll and homegrown skiffle, the group explored genres ranging from Tin Pan Alley to psychedelic rock. Their clothes, styles, and statements made them trend-setters, while their growing social awareness saw their influence extend into the social and cultural revolutions of the 1960s. After the band broke up in 1970, all four members embarked upon solo careers.
The Beatles are one of the most commercially successful and critically acclaimed bands in the history of popular music, selling over a billion records internationally. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one, earning more number one albums (15) than any other group in UK chart history. This commercial success was repeated in many other countries; their record company, EMI, estimated that by 1985 they had sold over one billion records worldwide. According to the Recording Industry Association of America, The Beatles have sold more albums in the United States than any other band. In 2004, Rolling Stone magazine ranked The Beatles number one on its list of 100 Greatest Artists of All Time. According to that same magazine, The Beatles' innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today. In 2008, Billboard magazine released a list of top-selling Hot 100 artists to celebrate the chart's fiftieth anniversary; The Beatles reached #1 again.
The Beatles are one of the most commercially successful and critically acclaimed bands in the history of popular music, selling over a billion records internationally. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one, earning more number one albums (15) than any other group in UK chart history. This commercial success was repeated in many other countries; their record company, EMI, estimated that by 1985 they had sold over one billion records worldwide. According to the Recording Industry Association of America, The Beatles have sold more albums in the United States than any other band. In 2004, Rolling Stone magazine ranked The Beatles number one on its list of 100 Greatest Artists of All Time. According to that same magazine, The Beatles' innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today. In 2008, Billboard magazine released a list of top-selling Hot 100 artists to celebrate the chart's fiftieth anniversary; The Beatles reached #1 again.
Gustav Holst
Gustav Theodore Holst (21 September 1874 – 25 May 1934) was an English composer and was a music teacher for nearly 20 years. He is most famous for his orchestral suite The Planets. Having studied at the Royal College of Music in London, his early work was influenced by Ravel, Grieg, Richard Strauss, and fellow student Ralph Vaughan Williams, but most of his music is highly original, with influences from Hindu spiritualism and English folk tunes. Holst's music is well known for unconventional use of metre and haunting melodies.
Holst wrote almost 200 catalogued compositions, including orchestral suites, operas, ballets, concertos, choral hymns, and songs (see Selected works below).
Holst became music master at St Paul's Girls' School in 1905 and director of music at Morley College in 1907, continuing in both posts until retirement.
He was the brother of Hollywood actor Ernest Cossart and father of the composer and conductor Imogen Holst, who wrote a biography of him in 1938.
Holst wrote almost 200 catalogued compositions, including orchestral suites, operas, ballets, concertos, choral hymns, and songs (see Selected works below).
Holst became music master at St Paul's Girls' School in 1905 and director of music at Morley College in 1907, continuing in both posts until retirement.
He was the brother of Hollywood actor Ernest Cossart and father of the composer and conductor Imogen Holst, who wrote a biography of him in 1938.
Antonin Dvorak
Antonín Leopold Dvořák (English pronunciation: /ˈdvɒrʒɑːk/ DVOR-zhahk or /ˈdvɒrʒæk/ DVOR-zhak; Czech: ( listen); September 8, 1841 – May 1, 1904) was a Czech composer of Romantic music, who employed the idioms of the folk music of Moravia and his native Bohemia. His works include operas, symphonic, choral and chamber music. His best-known works include his New World Symphony, the Slavonic Dances, "American" String Quartet, and Cello Concerto in B minor.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (of which the best known is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (of which the best known is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Johann Sebastian Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Art of Fugue, the Brandenburg Concertos, and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of the Western art musical canon.
Dizzy Gillespie
John Birks "Dizzy" Gillespie (pronounced /ɡɨˈlɛspi/; October 21, 1917 – January 6, 1993) was an American jazz trumpet player, bandleader, singer, and composer dubbed "the sound of surprise".
Together with Charlie Parker, he was a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Jon Faddis and Chuck Mangione.
Allmusic's Scott Yanow wrote that "Dizzy Gillespie's contributions to jazz were huge. One of the greatest jazz trumpeters of all time (some would say the best), Gillespie was such a complex player that his contemporaries ended up copying Miles Davis and Fats Navarro instead, and it was not until Jon Faddis's emergence in the 1970s that Dizzy's style was successfully recreated . . . Arguably Gillespie is remembered, by both critics and fans alike, as one of the greatest jazz trumpeters of all time.
In addition to featuring in the epochal moments in bebop, he was instrumental in founding Afro-Cuban jazz, the modern jazz version of what early-jazz pioneer Jelly Roll Morton referred to as the "Spanish Tinge". Gillespie was a trumpet virtuoso and gifted improviser, building on the virtuoso style of Roy Eldridge but adding layers of harmonic complexity previously unknown in jazz. Dizzy's beret and horn-rimmed spectacles, his scat singing, his bent horn, pouched cheeks and his light-hearted personality were essential in popularizing bebop.
Together with Charlie Parker, he was a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Jon Faddis and Chuck Mangione.
Allmusic's Scott Yanow wrote that "Dizzy Gillespie's contributions to jazz were huge. One of the greatest jazz trumpeters of all time (some would say the best), Gillespie was such a complex player that his contemporaries ended up copying Miles Davis and Fats Navarro instead, and it was not until Jon Faddis's emergence in the 1970s that Dizzy's style was successfully recreated . . . Arguably Gillespie is remembered, by both critics and fans alike, as one of the greatest jazz trumpeters of all time.
In addition to featuring in the epochal moments in bebop, he was instrumental in founding Afro-Cuban jazz, the modern jazz version of what early-jazz pioneer Jelly Roll Morton referred to as the "Spanish Tinge". Gillespie was a trumpet virtuoso and gifted improviser, building on the virtuoso style of Roy Eldridge but adding layers of harmonic complexity previously unknown in jazz. Dizzy's beret and horn-rimmed spectacles, his scat singing, his bent horn, pouched cheeks and his light-hearted personality were essential in popularizing bebop.
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Maximo Diego Pujol
Máximo Diego Pujol is an Argentine classical guitarist and composer born in Buenos Aires in 1957. He graduated from the Juan José Castro Provincial Conservatory. Pujol did his instrumental studies with Alfredo Vicente Gascón, Horacio Ceballos, Abel Carlevaro, Liliana Ardissone and Miguel Angel Girollet. He also studied harmony and composition under the guidance of Leónidas Arnedo and participated in master classes and seminars directed by Antonio de Raco, Abel Carlevaro, and Leo Brouwer.
Pujol has been awarded numerous prizes in Argentine and international competitions. His compositions reflect the influence of Ástor Piazzolla and similarly use the tango as a basic style.
Pujol has been awarded numerous prizes in Argentine and international competitions. His compositions reflect the influence of Ástor Piazzolla and similarly use the tango as a basic style.
Brahms
Johannes Brahms (May 7, 1833 â April 3, 1897) was a German composer of the Romantic period. He was born in Hamburg and in his later years he settled in Vienna, Austria.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Carlos Gardel
Carlos Gardel (11 December 1890 – 24 June 1935) was a singer, songwriter and actor, and is perhaps the most prominent figure in the history of tango. The unerring musicality of Gardel's baritone voice and the dramatic phrasing of his lyrics made miniature masterpieces of his hundreds of three-minute tango recordings. Together with lyricist and long-time collaborator Alfredo Le Pera, Gardel wrote several classic tangos, most notably "Mi Buenos Aires querido", "Por una cabeza" and "El día que me quieras".
Gardel died in an airplane crash at the height of his career, becoming an archetypal tragic hero mourned throughout Latin America. For many, Gardel embodies the soul of the tango style. He is commonly referred to as "Carlitos", "El Zorzal" (The Song Thrush), "The King of Tango", "El Mago" (The Magician) and "El Mudo" (The Mute).
Gardel died in an airplane crash at the height of his career, becoming an archetypal tragic hero mourned throughout Latin America. For many, Gardel embodies the soul of the tango style. He is commonly referred to as "Carlitos", "El Zorzal" (The Song Thrush), "The King of Tango", "El Mago" (The Magician) and "El Mudo" (The Mute).
Klaus Badelt
Klaus Badelt (born 1968) is a German composer, best known for composing film scores.
Badelt was born in Frankfurt, Germany. He started his musical career composing for many successful movies and commercials in his homeland. In 1998, Oscar-winning film composer Hans Zimmer invited Badelt to work at Media Ventures in Santa Monica, his studio co-owned by Jay Rifkin. Since then, Badelt has been working on a number of his own film and television projects such as The Time Machine and K-19: The Widowmaker. He has also collaborated with other Media Ventures composers, such as Harry Gregson-Williams, John Powell, and Zimmer.
While collaborating with Zimmer, Badelt has contributed to the Oscar-nominated scores for The Thin Red Line and The Prince of Egypt, as well as writing music for many well known directors including Ridley Scott, Tony Scott, Terrence Mallick, John Woo, Kathryn Bigelow, Jeffrey Katzenberg, Tom Cruise, Sean Penn, Gore Verbinski, and Steven Spielberg.
Badelt co-produced the score to Hollywood box office hit Gladiator, directed by Ridley Scott, as well as writing portions of the score with singer/composer Lisa Gerrard. Having contributed music to Gladiator, Mission: Impossible 2 and Michael Kamen's score for X-Men, Badelt was involved in the three most successful movies in 2000. Badelt also collaborated with Zimmer on other successful films, such as The Pledge, and 2001 blockbusters Hannibal and Pearl Harbor. One of his more famous - and more popular - scores is the score to the 2003 film Pirates of the Caribbean: The Curse of the Black Pearl.
Among Badelt's most critically celebrated scores are the Chinese fantasy film The Promise and Dreamworks' remake of The Time Machine, the latter which earned him the Discovery of the Year Award at the World Soundtrack Awards 2003.
Badelt was born in Frankfurt, Germany. He started his musical career composing for many successful movies and commercials in his homeland. In 1998, Oscar-winning film composer Hans Zimmer invited Badelt to work at Media Ventures in Santa Monica, his studio co-owned by Jay Rifkin. Since then, Badelt has been working on a number of his own film and television projects such as The Time Machine and K-19: The Widowmaker. He has also collaborated with other Media Ventures composers, such as Harry Gregson-Williams, John Powell, and Zimmer.
While collaborating with Zimmer, Badelt has contributed to the Oscar-nominated scores for The Thin Red Line and The Prince of Egypt, as well as writing music for many well known directors including Ridley Scott, Tony Scott, Terrence Mallick, John Woo, Kathryn Bigelow, Jeffrey Katzenberg, Tom Cruise, Sean Penn, Gore Verbinski, and Steven Spielberg.
Badelt co-produced the score to Hollywood box office hit Gladiator, directed by Ridley Scott, as well as writing portions of the score with singer/composer Lisa Gerrard. Having contributed music to Gladiator, Mission: Impossible 2 and Michael Kamen's score for X-Men, Badelt was involved in the three most successful movies in 2000. Badelt also collaborated with Zimmer on other successful films, such as The Pledge, and 2001 blockbusters Hannibal and Pearl Harbor. One of his more famous - and more popular - scores is the score to the 2003 film Pirates of the Caribbean: The Curse of the Black Pearl.
Among Badelt's most critically celebrated scores are the Chinese fantasy film The Promise and Dreamworks' remake of The Time Machine, the latter which earned him the Discovery of the Year Award at the World Soundtrack Awards 2003.
OneRepublic
OneRepublic is an American Rock band formed in Colorado. After a few years of moderate success, they have since drawn mainstream attention with the release of their single "Apologize," which has sold in excess of 7 million singles worldwide. The song, according to SoundScan Data, is one of only two songs that have reached 3 million legal downloads in history. A remix of "Apologize" was featured on Timbaland's Shock Value and the band's debut album, Dreaming Out Loud, produced by Greg Wells. Their debut album was released in the United States on November 20, 2007, with international release dates staggered throughout early 2008. As of June 14, 2008, Dreaming Out Loud had sold 761,298 copies in the U.S. with the bands total album sales coming to over 1.5 million worldwide so far. The band's second single, "Stop and Stare," has also crossed the 2 million mark in terms of worldwide single sales. Their third single, "Say (All I Need)", has been released in the UK and in the U.S. Their fourth single will be "Mercy", as stated by OneRepublic's MySpace page. The video has been streamed on Youtube.com.
Current members:
Ryan Tedder – Lead vocals, Guitar, Bass Guitar, Piano, Glockenspiel, Drums (2002–present)
Zach Filkins – Guitar, vocals (2002–present)
Drew Brown – Guitar, Bass Guitar, Glockenspiel (2002–present)
Eddie Fisher – Drums, percussion (2005–present)
Brent Kutzle – Bass guitar, keyboards, cello, vocals (2007–present)
Current members:
Ryan Tedder – Lead vocals, Guitar, Bass Guitar, Piano, Glockenspiel, Drums (2002–present)
Zach Filkins – Guitar, vocals (2002–present)
Drew Brown – Guitar, Bass Guitar, Glockenspiel (2002–present)
Eddie Fisher – Drums, percussion (2005–present)
Brent Kutzle – Bass guitar, keyboards, cello, vocals (2007–present)
Milton Nascimento
Milton Nascimento is a prominent Brazilian singer-songwriter and guitarist
Claude Bolling
Claude Bolling (born 10 April 1930), is a renowned French jazz pianist, composer, arranger, and occasional actor.
He was born in Cannes, studied at the Nice Conservatory, then in Paris. A child prodigy, by age 14 he was playing jazz piano professionally, with Lionel Hampton, Roy Eldridge, and Kenny Clarke. Bolling's books on jazz technique show that he did not delve far beyond bebop into much avant garde jazz. He was a major part of the traditional jazz revival in the late 1960s, and he became friends with Oscar Peterson.
He has written music for over one hundred films, mostly French, starting with the score for a 1957 documentary about the Cannes Film Festival, and including the films Borsalino (1970), and California Suite (1978).
Bolling is also noted for a series of "crossover" collaborations with classical musicians. His Suite for Flute and Jazz Piano Trio with Jean-Pierre Rampal, a mix of Baroque elegance with modern swing, has been a top seller for many years, and was followed up by other works in the same vein. It was particularly popular in the United States, at the top of the hit parade for two years after its release and on billboard top 40 for 530 weeks, roughly ten years.
Following his work with Rampal, Bolling went on to work with many other musicians, from different genres, including Alexandre Lagoya, Pinchas Zukerman, Maurice André, and Yo-Yo Ma. He has also worked with, and performed tributes to many others, including Lionel Hampton, Duke Ellington, Stéphane Grappelli, Django Reinhardt, Oscar Peterson.
He was born in Cannes, studied at the Nice Conservatory, then in Paris. A child prodigy, by age 14 he was playing jazz piano professionally, with Lionel Hampton, Roy Eldridge, and Kenny Clarke. Bolling's books on jazz technique show that he did not delve far beyond bebop into much avant garde jazz. He was a major part of the traditional jazz revival in the late 1960s, and he became friends with Oscar Peterson.
He has written music for over one hundred films, mostly French, starting with the score for a 1957 documentary about the Cannes Film Festival, and including the films Borsalino (1970), and California Suite (1978).
Bolling is also noted for a series of "crossover" collaborations with classical musicians. His Suite for Flute and Jazz Piano Trio with Jean-Pierre Rampal, a mix of Baroque elegance with modern swing, has been a top seller for many years, and was followed up by other works in the same vein. It was particularly popular in the United States, at the top of the hit parade for two years after its release and on billboard top 40 for 530 weeks, roughly ten years.
Following his work with Rampal, Bolling went on to work with many other musicians, from different genres, including Alexandre Lagoya, Pinchas Zukerman, Maurice André, and Yo-Yo Ma. He has also worked with, and performed tributes to many others, including Lionel Hampton, Duke Ellington, Stéphane Grappelli, Django Reinhardt, Oscar Peterson.
Ernest Bloch
Ernest Bloch (July 24, 1880 – July 15, 1959) was a Swiss-born American composer. Bloch was a preeminent artist in his day, and left a lasting legacy. He is recognized as one of the greatest Swiss composers in history. As well as producing musical scores, Bloch had an academic career that culminated in his recognition as Professor Emeritus at the University of California, Berkeley in 1952.
Hans Zimmer
Hans Florian Zimmer (born September 12, 1957) is a German film score composer and music producer. He has composed music for over 100 films, including Hollywood blockbusters such as the Pirates of the Caribbean series, Gladiator, The Lion King, The Da Vinci Code and The Dark Knight.
Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks studios, and works with other composers through the company which he founded, Remote Control Productions. His work is notable for integrating electronic music sounds with traditional orchestral arrangements.
Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks studios, and works with other composers through the company which he founded, Remote Control Productions. His work is notable for integrating electronic music sounds with traditional orchestral arrangements.
Paul Taffanel
Claude-Paul Taffanel (16 September 1844 – 22 November 1908) was a French flautist, conductor and instructor, regarded as the founder of the French Flute School that dominated much of flute composition and performance during the mid-20th century.Born in Bordeaux, Taffanel received his first lessons on the flute from his father at the age of nine. After giving his first concert at the age of ten, he studied with Vincent Dorus at the Paris Conservatoire. Once he graduated in 1860, he won his first of several awards for flute performance at age sixteen. Taffanel built a substantial career as both soloist and orchestral player over 30 years, becoming known as the foremost flautist of his time and reestablishing the instrument in the mainstream of music.
Pixinguinha
Alfredo da Rocha Viana Filho, known as Pixinguinha (Portuguese: ; April 23, 1897 – February 17, 1973) was a Brazilian composer, arranger, flautist and saxophonist born in Rio de Janeiro. Pixinguinha is considered one of the greatest Brazilian composers of popular music, particularly within the genre of music known as choro. By integrating the music of the older choro composers of the 19th century with contemporary jazz-like harmonies, Afro-Brazilian rhythms, and sophisticated arrangements, he introduced choro to a new audience and helped to popularize it as a uniquely Brazilian genre.
Mikis Theodorakis
Mikis (Michael) Theodorakis (Greek: Μίκης Θεοδωράκης) (born July 29, 1925, Greek island of Chios) is one of the most popular Greek songwriters and composers. Internationally, he is probably best known for his songs and for his scores for the films Zorba the Greek (1964), Z (1969), and Serpico (1973).
Politically, he identified with the left until the late 1980s; in 1989, he ran as an independent candidate within the centre-right New Democracy party in order for the country to come out of the political crisis that had been created due to the numerous scandals of the government of Andreas Papandreou and helped to establish a large coalition between conservatives, socialists and leftists. In 1990 he was elected to the parliament (as in 1964 and 1981), became a government minister under Constantine Mitsotakis, and fought against drugs and terrorism and for culture, education and better relations between Greece and Turkey. He continues to speak out in favor of left-liberal causes. He has consistently opposed oppressive regimes and was the key voice against the Greek Junta 1967-1974, which imprisoned him. He has expressed his views on Palestine, the War in Iraq, and Greek-Turkish-Cypriot relations. He has been mentioned as a candidate for the election as President of Greece, but he has refused to be considered.
Politically, he identified with the left until the late 1980s; in 1989, he ran as an independent candidate within the centre-right New Democracy party in order for the country to come out of the political crisis that had been created due to the numerous scandals of the government of Andreas Papandreou and helped to establish a large coalition between conservatives, socialists and leftists. In 1990 he was elected to the parliament (as in 1964 and 1981), became a government minister under Constantine Mitsotakis, and fought against drugs and terrorism and for culture, education and better relations between Greece and Turkey. He continues to speak out in favor of left-liberal causes. He has consistently opposed oppressive regimes and was the key voice against the Greek Junta 1967-1974, which imprisoned him. He has expressed his views on Palestine, the War in Iraq, and Greek-Turkish-Cypriot relations. He has been mentioned as a candidate for the election as President of Greece, but he has refused to be considered.
Elgar
Sir Edward William Elgar, 1st Baronet, OM, GCVO (2 June 1857 – 23 February 1934) was an English composer. He is known for such works as the Enigma Variations, the Pomp and Circumstance Marches, The Dream of Gerontius, concertos for violin and cello, and two symphonies. He also composed oratorios, chamber music and songs. He was appointed Master of the King's Musick in 1924.
Victor Herbert
Victor August Herbert (February 1, 1859 – May 26, 1924) was an Irish-born, German-raised American composer, cellist and conductor. Although Herbert enjoyed important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiered on Broadway from the 1890s to World War I. He was also prominent among the tin pan alley composers and was later a founder of the American Society of Composers, Authors, and Publishers (ASCAP). A prolific composer, Herbert produced two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music.
In the early 1880s, Herbert began a career as a cellist in Vienna, Austria, and Stuttgart, Germany, during which he began to compose orchestral music. Herbert and his opera singer wife, Therese Förster, moved to the U.S. in 1886 when both were engaged by the Metropolitan Opera. In the U.S., Herbert continued his performing career, while also teaching at the National Conservatory of Music, conducting and composing. His most notable instrumental compositions were his Cello Concerto No. 2 in E minor, Op. 30 (1894), which entered the standard repertoire, and his Auditorium Festival March (1901). He led the Pittsburgh Symphony from 1898 to 1904 and then founded the Victor Herbert Orchestra, which he conducted throughout the rest of his life.
Herbert began to compose operettas in 1894, producing several successes, including The Serenade (1897) and The Fortune Teller (1898). Even more successful were some of the operettas that he wrote after the turn of the 20th century: Babes in Toyland (1903), Mlle. Modiste (1905), The Red Mill (1906), Naughty Marietta (1910), Sweethearts (1913) and Eileen (1917). After World War I, with the change of popular musical tastes, Herbert began to compose musicals and contributed music to other composers' shows. While some of these were well-received, he never again achieved the level of success that he had enjoyed with his most popular operettas.
In the early 1880s, Herbert began a career as a cellist in Vienna, Austria, and Stuttgart, Germany, during which he began to compose orchestral music. Herbert and his opera singer wife, Therese Förster, moved to the U.S. in 1886 when both were engaged by the Metropolitan Opera. In the U.S., Herbert continued his performing career, while also teaching at the National Conservatory of Music, conducting and composing. His most notable instrumental compositions were his Cello Concerto No. 2 in E minor, Op. 30 (1894), which entered the standard repertoire, and his Auditorium Festival March (1901). He led the Pittsburgh Symphony from 1898 to 1904 and then founded the Victor Herbert Orchestra, which he conducted throughout the rest of his life.
Herbert began to compose operettas in 1894, producing several successes, including The Serenade (1897) and The Fortune Teller (1898). Even more successful were some of the operettas that he wrote after the turn of the 20th century: Babes in Toyland (1903), Mlle. Modiste (1905), The Red Mill (1906), Naughty Marietta (1910), Sweethearts (1913) and Eileen (1917). After World War I, with the change of popular musical tastes, Herbert began to compose musicals and contributed music to other composers' shows. While some of these were well-received, he never again achieved the level of success that he had enjoyed with his most popular operettas.
Bill conti
Bill William Conti is an American composer and conductor, best known for his film scores, including Rocky, Karate Kid, For Your Eyes Only, Dynasty, and The Right Stuff, which earned him an Academy Award for Best Original Score.
Jazz for Seniors
Jazz for Seniors by Carl Poole is 15 progressive duets for jazz-oriented like instruments. A continuation of Jazz for Juniors with more difficult rhythms.
Fullmetal Alchemist
Fullmetal Alchemist (鋼の錬金術師 Hagane no Renkinjutsushi?, literally "Alchemist of Steel"), is an ongoing Japanese manga series written and illustrated by Hiromu Arakawa. The world of Fullmetal Alchemist is styled after the European Industrial Revolution. Set in a fictional universe in which alchemy is one of the most advanced scientific techniques known to man, the story follows the brothers Edward and Alphonse Elric, who want to restore their bodies after a disastrous failed attempt to bring their mother back to life through alchemy.
The manga is serialized in Square Enix's Monthly Shōnen Gangan magazine (starting August 2001) and currently has 24 tankōbon volumes. It was adapted into an animated television series of 51 episodes by Bones from October 4, 2003 to October 2, 2004, later followed by a film sequel that concluded the story of the anime. Fullmetal Alchemist would later spawn a second series called Fullmetal Alchemist: Brotherhood, which first premiered in Japan on April 5, 2009. A multitude of spin-off novels, original video animations (OVAs), drama CDs, soundtracks, and video games have been adapted from the series. A collectible card game, multiple supplementary books, and a variety of action figures and other merchandise based on the characters of the series have also been released.
The manga has been licensed by Viz Media for publication in the United States, with twenty-two bound volumes released currently. Although there are no major differences with the Japanese version, some pages have been edited to avoid minor references to western theology. Funimation Entertainment has dubbed the anime episodes in the United States and Canada, and has also released them in all English-speaking DVD regions. The English version of the film premiered in a limited number of U.S. theaters on August 25, 2006 and was later released on DVD. Funimation and Destineer have also been releasing the video games from the series.
In Japan, the Fullmetal Alchemist manga has had good sales with over 30 million volumes sold as of 2008. The English release of the manga's first volume was the top-selling graphic novel during the year 2005. In two TV Asahi web polls, the anime was voted #1 most popular anime of all time in Japan. It was nominated in six of the eight categories for which it was eligible at the American Anime Awards in February 2007, winning awards in five of them. Reviewers from several media generally had positive comments on the series.
The manga is serialized in Square Enix's Monthly Shōnen Gangan magazine (starting August 2001) and currently has 24 tankōbon volumes. It was adapted into an animated television series of 51 episodes by Bones from October 4, 2003 to October 2, 2004, later followed by a film sequel that concluded the story of the anime. Fullmetal Alchemist would later spawn a second series called Fullmetal Alchemist: Brotherhood, which first premiered in Japan on April 5, 2009. A multitude of spin-off novels, original video animations (OVAs), drama CDs, soundtracks, and video games have been adapted from the series. A collectible card game, multiple supplementary books, and a variety of action figures and other merchandise based on the characters of the series have also been released.
The manga has been licensed by Viz Media for publication in the United States, with twenty-two bound volumes released currently. Although there are no major differences with the Japanese version, some pages have been edited to avoid minor references to western theology. Funimation Entertainment has dubbed the anime episodes in the United States and Canada, and has also released them in all English-speaking DVD regions. The English version of the film premiered in a limited number of U.S. theaters on August 25, 2006 and was later released on DVD. Funimation and Destineer have also been releasing the video games from the series.
In Japan, the Fullmetal Alchemist manga has had good sales with over 30 million volumes sold as of 2008. The English release of the manga's first volume was the top-selling graphic novel during the year 2005. In two TV Asahi web polls, the anime was voted #1 most popular anime of all time in Japan. It was nominated in six of the eight categories for which it was eligible at the American Anime Awards in February 2007, winning awards in five of them. Reviewers from several media generally had positive comments on the series.
Handel
George Frideric Handel (Friday, 23 February 1685 - Saturday, 14 April 1759) was a German-born Baroque composer who is famous for his operas, oratorios and concerti grossi. Born as Georg Friedrich Handel in Halle, he spent most of his adult life in England, becoming a subject of the British crown on 22 January 1727. His most famous works are Messiah, an oratorio set to texts from the King James Bible; Water Music; and Music for the Royal Fireworks. Strongly influenced by the techniques of the great composers of the Italian Baroque and the English composer Henry Purcell, his music was known to many significant composers who came after him, including Haydn, Mozart, and Beethoven.
Handel's compositions include 42 operas; 29 oratorios; more than 120 cantatas, trios and duets; numerous arias; chamber music; a large number of ecumenical pieces; odes and serenatas; and sixteen organ concerti. His most famous work, the Messiah oratorio with its "Hallelujah" chorus, is among the most popular works in choral music and has become a centerpiece of the Christmas season. Also popular are the Opus 3 and 6 Concerti Grossi, as well as "The Cuckoo and the Nightingale", in which birds are heard calling during passages played in different keys representing the vocal ranges of two birds. Also notable are his sixteen keyboard suites, especially The Harmonious Blacksmith.
Handel introduced various previously uncommon musical instruments in his works: the viola d'amore and violetta marina (Orlando), the lute (Ode for St. Cecilia's Day), three trombones (Saul), clarinets or small high cornets (Tamerlano), theorbo, French horn (Water Music), lyrichord, double bassoon, viola da gamba, bell chimes, positive organ, and harp (Giulio Cesare, Alexander's Feast).
Handel's compositions include 42 operas; 29 oratorios; more than 120 cantatas, trios and duets; numerous arias; chamber music; a large number of ecumenical pieces; odes and serenatas; and sixteen organ concerti. His most famous work, the Messiah oratorio with its "Hallelujah" chorus, is among the most popular works in choral music and has become a centerpiece of the Christmas season. Also popular are the Opus 3 and 6 Concerti Grossi, as well as "The Cuckoo and the Nightingale", in which birds are heard calling during passages played in different keys representing the vocal ranges of two birds. Also notable are his sixteen keyboard suites, especially The Harmonious Blacksmith.
Handel introduced various previously uncommon musical instruments in his works: the viola d'amore and violetta marina (Orlando), the lute (Ode for St. Cecilia's Day), three trombones (Saul), clarinets or small high cornets (Tamerlano), theorbo, French horn (Water Music), lyrichord, double bassoon, viola da gamba, bell chimes, positive organ, and harp (Giulio Cesare, Alexander's Feast).
Benedetto Marcello
Benedetto Giacomo Marcello (Italian: ; 31 July or 1 August 1686 – 24 July 1739) was an Italian composer, writer, advocate, magistrate, and teacher in Venice, Benedetto Marcello was a member of a noble family and in his compositions he is frequently referred to anonymously as Patrizio Veneto (A Noble of Venice). Although he was a music student of Antonio Lotti and Francesco Gasparini, his father wanted Benedetto to devote himself to law. Benedetto managed to combine a life in law and public service with one in music.
Vivaldi
Antonio Lucio Vivaldi (March 4, 1678 â July 28, 1741), nicknamed il Prete Rosso ("The Red Priest"), was a Venetian priest and Baroque music composer, as well as a famous virtuoso violinist; he was born and raised in the Republic of Venice. The Four Seasons, a series of four violin concerti, is his best-known work and a highly popular Baroque piece.
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Many of Vivaldi's compositions reflect a flamboyant, almost playful, exuberance. Most of Vivaldi's repertoire was rediscovered only in the first half of the 20th century in Turin and Genoa and was published in the second half. Vivaldi's music is innovative, breaking a consolidated tradition in schemes; he gave brightness to the formal and the rhythmic structure of the concerto, repeatedly looking for harmonic contrasts and innovative melodies and themes. Moreover, Vivaldi was able to compose nonacademic music, particularly meant to be appreciated by the wide public and not only by an intellectual minority. The joyful appearance of his music reveals in this regard a transmissible joy of composing; these are among the causes of the vast popularity of his music. This popularity soon made him famous in other countries such as France which was, at the time, very independent concerning its musical taste.
Vivaldi is considered one of the composers who brought Baroque music (with its typical contrast among heavy sonorities) to evolve into a classical style. Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his Johannes Passion, Matthäuspassion, and cantatas). Bach transcribed a number of Vivaldi's concerti for solo keyboard, along with a number for orchestra, including the famous Concerto for Four Violins and Violoncello, Strings and Continuo (RV 580).
Nino Rota
Nino Rota (December 3, 1911, Milan – April 10, 1979, Rome) was a world-renowned Italian composer and academic who is best known for his film scores, notably for the films of Federico Fellini and Luchino Visconti. He also composed the music for two of Franco Zeffirelli's Shakespeare films, and for the first two films of Francis Ford Coppola's Godfather trilogy.
During his long career Rota was an extraordinarily prolific composer, especially of music for the cinema. He wrote more than 150 scores for Italian and international productions from the 1930s until his death in 1979—an average of three scores each year over a 46 year period, and in his most productive period from the late 1940s to the mid-1950s he wrote as many as ten scores every year, and sometimes more, with a remarkable thirteen film scores to his credit in 1954. Alongside this great body film work, he composed ten operas, five ballets and dozens of other orchestral, choral and chamber works, the best known being his string concerto. He also composed the music for many theatre productions by Visconti, Zeffirelli and Eduardo de Filippo as well as maintaining a long teaching career at the Liceo Musicale in Bari, Italy, where he was the director for almost 30 years.
During his long career Rota was an extraordinarily prolific composer, especially of music for the cinema. He wrote more than 150 scores for Italian and international productions from the 1930s until his death in 1979—an average of three scores each year over a 46 year period, and in his most productive period from the late 1940s to the mid-1950s he wrote as many as ten scores every year, and sometimes more, with a remarkable thirteen film scores to his credit in 1954. Alongside this great body film work, he composed ten operas, five ballets and dozens of other orchestral, choral and chamber works, the best known being his string concerto. He also composed the music for many theatre productions by Visconti, Zeffirelli and Eduardo de Filippo as well as maintaining a long teaching career at the Liceo Musicale in Bari, Italy, where he was the director for almost 30 years.
Jimi Hendrix
Johnny Allen "Jimi" Hendrix, American guitarist, guitar virtuoso, singer, songwriter and cultural icon. Hendrix is one of the most influential musicians in rock history. Hendrix, who first gained fame in the UK, became world famous after the Monterey Pop Festival in 1967
Sammy Nestico
Samuel "Sammy" Louis Nestico (born February 6, 1924 in Pittsburgh, Pennsylvania) is a prolific and well known composer and arranger of big band music. Nestico is most known for his arrangements for the Count Basie orchestra.
Alan Menken
Alan Menken (born July 22, 1949 in New Rochelle, New York) is an American Broadway and an eight-time Academy Award winning composer and pianist. Menken has collaborated with several renowned lyricists including Howard Ashman (1950-1991), Tim Rice and Stephen Schwartz.
Grieg
Edvard Hagerup Grieg (/ɡriːɡ/ GREEG, Norwegian: ; 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions brought the music of Norway to international consciousness, as well as helping to develop a national identity, much as Jean Sibelius and Bedřich Smetana did in Finland and Bohemia, respectively.
Grieg is the most celebrated person from the city of Bergen, with numerous statues depicting his image, and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.
Grieg is the most celebrated person from the city of Bergen, with numerous statues depicting his image, and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.
Michael Jackson
Michael Joseph Jackson (August 29, 1958 – June 25, 2009) was an American singer, dancer and entertainer. Referred to as the King of Pop, he is the most commercially successful entertainer of all time, and one of the most influential. His contributions to music, dance and fashion, along with a much publicized personal life, made him a global figure in popular culture for over four decades.
Alongside his brothers, he made his debut as lead singer and youngest member of The Jackson 5 in 1964. He began his solo career in 1971. His 1982 album Thriller remains the best-selling album ever, with Off the Wall (1979), Bad (1987), Dangerous (1991) and HIStory (1995) also among the world's best-selling albums. He is widely credited with having transformed the music video from a promotional tool into an art form with videos for his songs such as "Billie Jean", "Beat It" and "Thriller" making him the first African American artist to amass a strong crossover following on MTV. With stage performances and music videos, Jackson popularized a number of physically complicated dance techniques, such as the robot and the moonwalk. His distinctive musical sound, vocal style, and choreography, is credited with stretching across and breaking down cultural, racial, economic, generational, and global barriers that has inspired countless pop, rock, R&B and hip hop artists.
One of the few artists to have been inducted into the Rock and Roll Hall of Fame twice, his other achievements feature multiple Guinness World Records—including the "Most Successful Entertainer of All Time"—15 Grammy Awards (including the "Living Legend Award" and the "Lifetime Achievement Award"), 26 American Music Awards (24 only as a solo artist, including one for "Artist of the Century")—more than any artist—, 17 number one singles in the US (including the four as a member of the Jackson 5), and estimated sales of up to 750 million records worldwide making him the world's best selling artist in history.
Jackson's personal relationships and life generated controversy for years. His changing appearance was noticed from the late 1970s onwards, with changes to his nose and to the color of his skin drawing media publicity. He was accused of child sexual abuse in 1993 though no charges were brought, and in 2005 he was tried and acquitted when the jury ruled him not guilty on all charges. He married twice, first in 1994 and again in 1996, and brought up three children, one born to a surrogate mother. While preparing for the This Is It concert tour in 2009, Jackson died at the age of 50 after suffering from cardiac arrest. He reportedly had been administered drugs such as propofol and lorazepam, and his death was ruled a homicide by the Los Angeles County coroner. His death triggered an outpouring of grief from around the world with his globally live broadcast memorial service attracting an audience of up to one billion people; as well as a huge surge in his album sales, resulting in him becoming the best selling artist of 2009 with sales in excess of 8.2 million in the United States where he became the first artist ever to have 4 of the top 20 best-selling albums in a single year, and 29 million albums globally, where he had an unprecedented 8 of the top 25 best-selling albums worldwide.
Alongside his brothers, he made his debut as lead singer and youngest member of The Jackson 5 in 1964. He began his solo career in 1971. His 1982 album Thriller remains the best-selling album ever, with Off the Wall (1979), Bad (1987), Dangerous (1991) and HIStory (1995) also among the world's best-selling albums. He is widely credited with having transformed the music video from a promotional tool into an art form with videos for his songs such as "Billie Jean", "Beat It" and "Thriller" making him the first African American artist to amass a strong crossover following on MTV. With stage performances and music videos, Jackson popularized a number of physically complicated dance techniques, such as the robot and the moonwalk. His distinctive musical sound, vocal style, and choreography, is credited with stretching across and breaking down cultural, racial, economic, generational, and global barriers that has inspired countless pop, rock, R&B and hip hop artists.
One of the few artists to have been inducted into the Rock and Roll Hall of Fame twice, his other achievements feature multiple Guinness World Records—including the "Most Successful Entertainer of All Time"—15 Grammy Awards (including the "Living Legend Award" and the "Lifetime Achievement Award"), 26 American Music Awards (24 only as a solo artist, including one for "Artist of the Century")—more than any artist—, 17 number one singles in the US (including the four as a member of the Jackson 5), and estimated sales of up to 750 million records worldwide making him the world's best selling artist in history.
Jackson's personal relationships and life generated controversy for years. His changing appearance was noticed from the late 1970s onwards, with changes to his nose and to the color of his skin drawing media publicity. He was accused of child sexual abuse in 1993 though no charges were brought, and in 2005 he was tried and acquitted when the jury ruled him not guilty on all charges. He married twice, first in 1994 and again in 1996, and brought up three children, one born to a surrogate mother. While preparing for the This Is It concert tour in 2009, Jackson died at the age of 50 after suffering from cardiac arrest. He reportedly had been administered drugs such as propofol and lorazepam, and his death was ruled a homicide by the Los Angeles County coroner. His death triggered an outpouring of grief from around the world with his globally live broadcast memorial service attracting an audience of up to one billion people; as well as a huge surge in his album sales, resulting in him becoming the best selling artist of 2009 with sales in excess of 8.2 million in the United States where he became the first artist ever to have 4 of the top 20 best-selling albums in a single year, and 29 million albums globally, where he had an unprecedented 8 of the top 25 best-selling albums worldwide.