Latest Sheet Music
Hisaishi Jou
Mamoru Fujisawa (藤澤 守 Fujisawa Mamoru?), known professionally as Joe Hisaishi (久石 譲 Hisaishi Jō?, born December 6, 1950), is a composer and director known for over 100 film scores and solo albums dating back to 1981.
While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical. Lesser known are the other musical roles he plays; he is also a typesetter, author, arranger, and head of an orchestra.
He is best known for his work with animator Hayao Miyazaki, having composed scores for many of his films including Nausicaä of the Valley of the Wind (1984), Castle in the Sky (1986), My Neighbor Totoro (1988), Kiki's Delivery Service (1989), Porco Rosso (1992), Princess Mononoke (1997), Spirited Away (2001), Howl's Moving Castle (2004) and Ponyo on the Cliff by the Sea (2008). He is also recognized for the soundtracks he has provided for filmmaker 'Beat' Takeshi Kitano, including A Scene at the Sea (1991), Dolls (2002), Kikujiro (1999), Hana-bi (1997), Kids Return (1996), Ocean Heaven (2010) and Sonatine (1993).
While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical. Lesser known are the other musical roles he plays; he is also a typesetter, author, arranger, and head of an orchestra.
He is best known for his work with animator Hayao Miyazaki, having composed scores for many of his films including Nausicaä of the Valley of the Wind (1984), Castle in the Sky (1986), My Neighbor Totoro (1988), Kiki's Delivery Service (1989), Porco Rosso (1992), Princess Mononoke (1997), Spirited Away (2001), Howl's Moving Castle (2004) and Ponyo on the Cliff by the Sea (2008). He is also recognized for the soundtracks he has provided for filmmaker 'Beat' Takeshi Kitano, including A Scene at the Sea (1991), Dolls (2002), Kikujiro (1999), Hana-bi (1997), Kids Return (1996), Ocean Heaven (2010) and Sonatine (1993).
Zelda medley
In music, a medley is a piece composed from parts of existing pieces, usually three, played one after another, sometimes overlapping. They are common in popular music, and most medleys are songs rather than instrumental. A medley which is a remixed series is called a megamix, often done with tracks for a single artist, or for popular songs from a given year or genre.
A medley is the most common form of overture for musical theater productions.
In Latin music, medleys are known as potpourrís or mosaicos; the latter were popularized by artists such as Roberto Faz and Billo Frómeta, and most commonly consist of boleros, guarachas, merengues or congas.
A medley is the most common form of overture for musical theater productions.
In Latin music, medleys are known as potpourrís or mosaicos; the latter were popularized by artists such as Roberto Faz and Billo Frómeta, and most commonly consist of boleros, guarachas, merengues or congas.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Dvorak
Antonín Leopold Dvořák (September 8, 1841 – May 1, 1904) was a Czech composer of Romantic music, who employed the idioms and melodies of the folk music of his native Bohemia and Moravia. His works include operas, symphonic, choral and chamber music. His best-known works are his New World Symphony (particularly the slow movement), as well as his Slavonic Dances, American String Quartet, and Cello Concerto in B minor.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (the best known of which is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (the best known of which is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
W.A. Mozart
Wolfgang Amadeus Mozart (German: , full baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart (27 January 1756 – 5 December 1791), was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. He is among the most enduringly popular of classical composers.
Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty; at 17 he was engaged as a court musician in Salzburg, but grew restless and traveled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and the Requiem. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate—the whole informed by a vision of humanity "redeemed through art, forgiven, and reconciled with nature and the absolute." His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that "posterity will not see such a talent again in 100 years."
Mozart showed prodigious ability from his earliest childhood in Salzburg. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty; at 17 he was engaged as a court musician in Salzburg, but grew restless and traveled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and the Requiem. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.
Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate—the whole informed by a vision of humanity "redeemed through art, forgiven, and reconciled with nature and the absolute." His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that "posterity will not see such a talent again in 100 years."
Stephen Pearson
Although my training and career was as a lawyer, my personal worlds were in the mountains and in song. From 1995-2005, I wrote music and lyrics for the 150 Psalms (as well as related devotional music), and established a web site, www.psalmistry.com, to share the work with fellow praise and worship teams. I am now retired from my profession, but not the mountains or music. The changes in music technology continue to add exciting avenues of expression and creation.
Scott Joplin
Scott Joplin (between June 1867 and January 1868 – April 1, 1917) was an American musician and composer of ragtime music. He remains the best-known ragtime figure and is regarded as one of the three most important composers of classic ragtime, along with James Scott and Joseph Lamb, and also a precursor to Stride Piano. Decades after his death, his music enjoyed a considerable surge of popularity and critical respect in the 1970s, especially for his most famous composition, "The Entertainer."
Even at the time of publication, Joplin's publisher John Stark was claiming that the rags had obtained classical status, and "lifted ragtime from its low estate and lined it up with Beethoven and Bach".
Even at the time of publication, Joplin's publisher John Stark was claiming that the rags had obtained classical status, and "lifted ragtime from its low estate and lined it up with Beethoven and Bach".
Traditional
Harry Warren
Harry Warren (born Salvatore Antonio Guaragna, December 24, 1893 – September 22, 1981) was an American composer and lyricist. Warren was the first major American songwriter to write primarily for film. He was nominated for the Academy Award for Best Original Song eleven times and won three Oscars for composing "Lullaby of Broadway", "You'll Never Know" and "On the Atchison, Topeka and the Santa Fe". He wrote the music for the first blockbuster film musical, 42nd Street, choreographed by Busby Berkeley, with whom he would collaborate on many musical films.
John Denver
John Denver (December 31, 1943 – October 12, 1997), born Henry John Deutschendorf, Jr., was an American Country Music/folk singer-songwriter and folk rock musician. One of the most popular artists of the 1970s, he recorded and released some 300 songs, about half composed by himself. He was named Poet Laureate of Colorado in 1977. Songs such as "Leaving on a Jet Plane" (1967), "Take Me Home, Country Roads" (1971), "Rocky Mountain High" (1973), "Thank God I'm a Country Boy" (1974), "Annie's Song" (1974), "Sunshine on My Shoulders" (1974), and "Calypso" (1975) are popular worldwide. Denver has been referred to as "The Poet for the Planet", "Mother Nature's Son" (based on The Beatles song he covered) and "A Song's Best Friend".
Yiruma
Yiruma (born February 15 1978, Seoul, Korea) is a South Korean piano music composer. He is married to Son Hye-im.
Yiruma is well-known throughout the world, and his albums are sold all over Asia, as well as the United States and Europe. His most famous pieces are "Kiss the Rain", and also "River Flows in You". These pieces are widely mistaken for being associated with the movie Twilight. Although he formerly held dual citizenship as a citizen of the United Kingdom and South Korea, in July 2006 he gave up his British citizenship and entered the Republic of Korea Navy to begin his military service, which is compulsory for all male South Koreans. He has lived in Osaka, Japan for 5 years to promote album sales before giving up his dual citizenship.
Yiruma is well-known throughout the world, and his albums are sold all over Asia, as well as the United States and Europe. His most famous pieces are "Kiss the Rain", and also "River Flows in You". These pieces are widely mistaken for being associated with the movie Twilight. Although he formerly held dual citizenship as a citizen of the United Kingdom and South Korea, in July 2006 he gave up his British citizenship and entered the Republic of Korea Navy to begin his military service, which is compulsory for all male South Koreans. He has lived in Osaka, Japan for 5 years to promote album sales before giving up his dual citizenship.
Nat King Cole
Nathaniel Adams Coles (March 17, 1919 â February 15, 1965), known professionally as Nat King Cole, was an American musician.
Cole first came to prominence as a leading jazz pianist, then switched his emphasis to singing, becoming one of the most popular and best known vocalists of all time.
Cole's first mainstream vocal hit was his 1943 recording of one of his compositions, "Straighten Up and Fly Right", based on a black folk tale that his father had used as a theme for a sermon. Johnny Mercer invited him to record it for the fledgling Capitol Records label. It sold over 500,000 copies, and proved that folk-based material could appeal to a wide audience. Although Nat would never be considered a rocker, the song can be seen as anticipating the first rock and roll records. Indeed, Bo Diddley, who performed similar transformations of folk material, counted Cole as an influence.
Beginning in the late 1940s, Cole began recording and performing more pop-oriented material for mainstream audiences, often accompanied by a string orchestra. His stature as a popular icon was cemented during this period by hits such as "The Christmas Song" (Cole recorded the tune four times: June 14, 1946 as a pure Trio recording; August 19, 1946 with an added string section; August 24, 1953; and again in 1961 for the double album, The Nat King Cole Story. This final version, recorded in stereo, is the one most often heard today.), "Nature Boy" (1948), "Mona Lisa" (1950), "Too Young" (the #1 song in 1951), and his signature tune "Unforgettable" (1951). While this shift to pop music led some jazz critics and fans to accuse Cole of selling out, he never totally abandoned his jazz roots; as late as 1956, for instance, he recorded an all-jazz album, After Midnight.
His last album, L-O-V-E, was recorded in early December 1964 â just a few days before entering the hospital for lung cancer treatment â and released just prior to his death; it peaked at #4 on the Billboard Albums chart in the spring of 1965. A Best Of album went gold in 1968. His 1957 recording of "When I Fall In Love" reached #4 in the UK charts in 1987.
Cole first came to prominence as a leading jazz pianist, then switched his emphasis to singing, becoming one of the most popular and best known vocalists of all time.
Cole's first mainstream vocal hit was his 1943 recording of one of his compositions, "Straighten Up and Fly Right", based on a black folk tale that his father had used as a theme for a sermon. Johnny Mercer invited him to record it for the fledgling Capitol Records label. It sold over 500,000 copies, and proved that folk-based material could appeal to a wide audience. Although Nat would never be considered a rocker, the song can be seen as anticipating the first rock and roll records. Indeed, Bo Diddley, who performed similar transformations of folk material, counted Cole as an influence.
Beginning in the late 1940s, Cole began recording and performing more pop-oriented material for mainstream audiences, often accompanied by a string orchestra. His stature as a popular icon was cemented during this period by hits such as "The Christmas Song" (Cole recorded the tune four times: June 14, 1946 as a pure Trio recording; August 19, 1946 with an added string section; August 24, 1953; and again in 1961 for the double album, The Nat King Cole Story. This final version, recorded in stereo, is the one most often heard today.), "Nature Boy" (1948), "Mona Lisa" (1950), "Too Young" (the #1 song in 1951), and his signature tune "Unforgettable" (1951). While this shift to pop music led some jazz critics and fans to accuse Cole of selling out, he never totally abandoned his jazz roots; as late as 1956, for instance, he recorded an all-jazz album, After Midnight.
His last album, L-O-V-E, was recorded in early December 1964 â just a few days before entering the hospital for lung cancer treatment â and released just prior to his death; it peaked at #4 on the Billboard Albums chart in the spring of 1965. A Best Of album went gold in 1968. His 1957 recording of "When I Fall In Love" reached #4 in the UK charts in 1987.
The Corrs
The Corrs are a Celtic folk rock group from Dundalk, County Louth, Ireland. The group consists of the Corr siblings: Andrea (vocals, tin whistle); Sharon (violin, vocals); Caroline (drums, percussion, bodhrán, vocals); and Jim (guitar, keyboards, vocals).
The Corrs came to international prominence with their performance at the 1996 Summer Olympics in Atlanta, Georgia. Since then, they have released five studio albums and numerous singles, which have reached platinum in many countries. Talk on Corners, their most successful album to date, reached multi-platinum status in Australia and the UK.
The Corrs have been actively involved in philanthropic activities. They have performed in numerous charity concerts such as the Prince's Trust in 2004 and Live 8 alongside Bono in 2005. The same year, they were awarded honorary MBEs for their contributions to music and charity. The Corrs are on hiatus because Sharon, Jim, and Caroline are raising families, while Andrea is pursuing a solo career.
The Corrs came to international prominence with their performance at the 1996 Summer Olympics in Atlanta, Georgia. Since then, they have released five studio albums and numerous singles, which have reached platinum in many countries. Talk on Corners, their most successful album to date, reached multi-platinum status in Australia and the UK.
The Corrs have been actively involved in philanthropic activities. They have performed in numerous charity concerts such as the Prince's Trust in 2004 and Live 8 alongside Bono in 2005. The same year, they were awarded honorary MBEs for their contributions to music and charity. The Corrs are on hiatus because Sharon, Jim, and Caroline are raising families, while Andrea is pursuing a solo career.
Yoko Kanno
Yoko Kanno (菅野 よう子 Kanno Yōko?, born March 19, 1964 in Miyagi Prefecture, Japan) is a composer, arranger and musician best known for her work on the soundtracks for many games, anime films, TV series, live-action movies, and advertisements. She has written scores for famous animated works, including Macross Plus, Turn A Gundam, Cowboy Bebop, The Vision of Escaflowne, Ghost in the Shell: Stand Alone Complex, Wolf's Rain, and is the most trusted composer by veteran and new-wave directors such as Yoshiyuki Tomino, Shinichiro Watanabe and Shoji Kawamori. Kanno has also composed music for J-pop artists, the most notable being Maaya Sakamoto and Kyōko Koizumi. She is also a skilled keyboardist, and is the frontwoman for The Seatbelts, who perform many of Kanno's compositions on the various original soundtracks for which she is responsible.
The Spitfire Grill
After being released from jail, Percy Talbott (Alison Elliott) travels to a town in Maine looking for a new beginning. When she arrives, she finds work at a restaurant owned by the crabby Hannah (Ellen Burstyn). She also befriends a waitress named Shelby (Marcia Gay Harden) and begins a romance with…
Ludwig van Beethoven
Ludwig van Beethoven (/ˈlʊdvɪɡ væn ˈbeɪt(h)oʊvən/ (About this soundlisten); German: (About this soundlisten); baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the classical and romantic eras in classical music, he remains one of the most recognized and influential musicians of this period, and is considered to be one of the greatest composers of all time.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Krzysztof Penderecki
Krzysztof Eugeniusz Penderecki was a Polish composer and conductor. His best known works include Threnody to the Victims of Hiroshima, Symphony No. 3, his St Luke Passion, Polish Requiem, Anaklasis and Utrenja.
Jim Brickman
Jim Brickman (born November 20, 1961) is an American composer and pianist. Brickman is known for his solo piano compositions, which are classified as new age music. However, he is as well known for his original love songs and performing them with vocalists such as Martina McBride, Michael W. Smith, Michelle Wright and others.
His music career started when he was nineteen, when Jim Henson hired him to write tunes for Sesame Street. He was also hired to write commercial jingles while in college.
Brickman signed with Windham Hill Records to release his first album, No Words, in 1994. The song "Rocket To The Moon" from that album was the first solo instrumental song ever to be ranked on Billboard's charts. Four of his albums (By Heart, Picture This, The Gift, and Destiny) have all sold over 500,000 copies, qualifying them as gold records in the United States.
Brickman writes a wide variety of music. Besides his piano compositions and love songs, he has also created arrangements of other songs. Several of his albums feature arrangements of children's music; he has produced two Christmas-themed albums The Gift (1997) and Peace (2003); and his 2005 album Grace concentrates on arrangements of well-known Christian music.
His music career started when he was nineteen, when Jim Henson hired him to write tunes for Sesame Street. He was also hired to write commercial jingles while in college.
Brickman signed with Windham Hill Records to release his first album, No Words, in 1994. The song "Rocket To The Moon" from that album was the first solo instrumental song ever to be ranked on Billboard's charts. Four of his albums (By Heart, Picture This, The Gift, and Destiny) have all sold over 500,000 copies, qualifying them as gold records in the United States.
Brickman writes a wide variety of music. Besides his piano compositions and love songs, he has also created arrangements of other songs. Several of his albums feature arrangements of children's music; he has produced two Christmas-themed albums The Gift (1997) and Peace (2003); and his 2005 album Grace concentrates on arrangements of well-known Christian music.
Paganini
Niccolò Paganini (27 October 1782 – 27 May 1840) was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. His caprice in A minor, Op. 1 No. 24 is among his best known of compositions, and serves as inspiration for many prominent artists.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
William Bradbury
He was born on October 6, 1816 in York, Maine where his father was the leader of a church choir. He had a brother, Edward G. Bradbury.
He moved with his parents to Boston and met Lowell Mason, and by 1834 was known as an organist. In 1840, he began teaching in Brooklyn, New York. In 1847 he went to Germany, where he studied harmony, composition, and vocal and instrumental music with the best masters.
In 1854, he started the Bradbury Piano Company, with his brother, Edward G. Bradbury in New York City. William Bradbury is best known as a composer and publisher of a series of musical collections for choirs and schools. He was the author and compiler of fifty-nine books starting in 1841.
He moved with his parents to Boston and met Lowell Mason, and by 1834 was known as an organist. In 1840, he began teaching in Brooklyn, New York. In 1847 he went to Germany, where he studied harmony, composition, and vocal and instrumental music with the best masters.
In 1854, he started the Bradbury Piano Company, with his brother, Edward G. Bradbury in New York City. William Bradbury is best known as a composer and publisher of a series of musical collections for choirs and schools. He was the author and compiler of fifty-nine books starting in 1841.
Frank Mills
Frank Mills (born June 27, 1942), is a Canadian pianist and recording artist, best known for his solo instrumental hit "Music Box Dancer".
Born in Quebec, Mills began his career as a member of The Bells, a group in which he was a member from 1970 to 1972. He performed piano for the band, whose best-known hit was "Stay Awhile" (1971). After leaving The Bells in 1972, Mills began a solo career.
His first solo efforts hardly made a dent in the music charts, although his 1972 single "Love Me, Love Me, Love" reached as high as #46 on the Billboard Hot 100 and #8 on Billboard's Easy Listening chart and a cover of Ricky Nelson's "Poor Little Fool" was also successful in Canada (both songs featured Mills singing as well as playing piano).
Frank released an album in 1974 that featured "Music Box Dancer", but it was not a hit initially. When Frank re-signed with Polydor Records Canada in 1978, the label released a new song as a single, with "Music Box Dancer" on the B-side. The single was sent to easy listening stations in Canada, but a copy was sent in error to CFRA-AM, a pop station in Ottawa. The program director played the A-side and couldn't figure out why it had been sent to his station, so he played the B-side to see if the record was mistakenly marked. He liked "Music Box Dancer" and added it to his station's playlist, turning the record into a Canadian hit. Iconic Ottawa Valley radio personality Dave "50,000" Watts gave the record extensive airplay on the station. The album went gold in Canada, which prompted Polydor in the US to release the album and single. Both the single and album were hits. The single reached #3 on the Billboard Hot 100 and #4 on the Billboard Easy Listening chart, while the album reached #21 on the Billboard Top Album chart and also went gold.
It was Mills' only U.S. Top 40 hit; the follow-up, another similarly catchy piano instrumental titled "Peter Piper", peaked at #48 on the Billboard Hot 100 and at #6 on the Billboard Adult Contemporary chart. Frank managed one final Adult Contemporary chart entry, "Happy Song", which peaked at #41 at the beginning of 1981.
Mills won two Juno Awards in 1980 for "Peter Piper", one for Composer of the Year and one for Instrumental Artist of the Year. He again won in the latter category in 1981.
He continued to release albums until the early 1990s, but has now retired from the music business.
Born in Quebec, Mills began his career as a member of The Bells, a group in which he was a member from 1970 to 1972. He performed piano for the band, whose best-known hit was "Stay Awhile" (1971). After leaving The Bells in 1972, Mills began a solo career.
His first solo efforts hardly made a dent in the music charts, although his 1972 single "Love Me, Love Me, Love" reached as high as #46 on the Billboard Hot 100 and #8 on Billboard's Easy Listening chart and a cover of Ricky Nelson's "Poor Little Fool" was also successful in Canada (both songs featured Mills singing as well as playing piano).
Frank released an album in 1974 that featured "Music Box Dancer", but it was not a hit initially. When Frank re-signed with Polydor Records Canada in 1978, the label released a new song as a single, with "Music Box Dancer" on the B-side. The single was sent to easy listening stations in Canada, but a copy was sent in error to CFRA-AM, a pop station in Ottawa. The program director played the A-side and couldn't figure out why it had been sent to his station, so he played the B-side to see if the record was mistakenly marked. He liked "Music Box Dancer" and added it to his station's playlist, turning the record into a Canadian hit. Iconic Ottawa Valley radio personality Dave "50,000" Watts gave the record extensive airplay on the station. The album went gold in Canada, which prompted Polydor in the US to release the album and single. Both the single and album were hits. The single reached #3 on the Billboard Hot 100 and #4 on the Billboard Easy Listening chart, while the album reached #21 on the Billboard Top Album chart and also went gold.
It was Mills' only U.S. Top 40 hit; the follow-up, another similarly catchy piano instrumental titled "Peter Piper", peaked at #48 on the Billboard Hot 100 and at #6 on the Billboard Adult Contemporary chart. Frank managed one final Adult Contemporary chart entry, "Happy Song", which peaked at #41 at the beginning of 1981.
Mills won two Juno Awards in 1980 for "Peter Piper", one for Composer of the Year and one for Instrumental Artist of the Year. He again won in the latter category in 1981.
He continued to release albums until the early 1990s, but has now retired from the music business.
Giacomo Carissimi
Giacomo Carissimi (Italian pronunciation: (About this soundlisten); (also called Gian Giacomo Carissimi) baptized 18 April 1605 – 12 January 1674) was an Italian composer and music teacher. He is one of the most celebrated masters of the early Baroque or, more accurately, the Roman School of music. Carissimi established the characteristic features of the Latin oratorio and was a prolific composer of masses, motets and cantatas. He was highly influential in musical developments in north European countries through his pupils, like Kerll in Germany and Charpentier in France, and the wide dissemination of his music.
Van Dik Hout
Van Dik Hout are a Dutch pop group from Den Helder in the north of the Netherlands. They formed in the late 1980s as a school band, but moved later to Amsterdam where they rechristened themselves into Van Dik Hout.
Bill Evans
William John Evans, known as Bill Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist. His use of impressionist harmony, inventive interpretation of traditional jazz repertoire, and trademark rhythmically independent, "singing" melodic lines influenced a generation of pianists, including Chick Corea, Herbie Hancock, John Taylor, Steve Kuhn, Don Friedman, Denny Zeitlin, Bobo Stenson and Keith Jarrett, as well as guitarists Lenny Breau and Pat Metheny. The music of Bill Evans continues to inspire younger pianists like Marcin Wasilewski, Fred Hersch, Ray Reach, Bill Charlap, Lyle Mays, Eliane Elias and arguably Brad Mehldau, early in his career.
Evans is an inductee of the Down Beat Jazz Hall of Fame.
Evans is an inductee of the Down Beat Jazz Hall of Fame.
Debussy
Achille-Claude Debussy (August 22, 1862 – March 25, 1918) was a French composer. Along with Maurice Ravel, he is considered one of the most prominent figures working within the field of Impressionist music, though he himself intensely disliked the term when applied to his compositions. Debussy was not only among the most important of all French composers but also was a central figure in all European music at the turn of the twentieth century.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Koji Kondo
Koji Kondo (近藤浩治 Kondō Kōji?, born August 13, 1960) is a Japanese video game composer and sound director who has been employed at Nintendo since 1984. He is best known for scoring numerous titles in the Mario and The Legend of Zelda series.
The Turtles
The Turtles are a U.S. rock group led by vocalists Howard Kaylan and Mark Volman. The band became notable for several Top 40 hits beginning with its cover version of Bob Dylan's "It Ain't Me Babe" in 1965. The group scored its biggest and best-known hit in 1967 with the song "Happy Together".
Richard Galliano
Richard Galliano is a French accordionist of Italian heritage. Date of birth: December 12, 1950 (68 years old), Cannes, France Movies: Richard Galliano: Tangaria Quartet, MORE Awards: NAACP Image Award for Best Jazz Album
Colbie Caillat
Colbie Marie Caillat (born May 28, 1985 in Newbury Park, California) is an American pop singer-songwriter and guitarist from Malibu, California. Her father, Ken Caillat, co-produced Fleetwood Mac's Rumours and Tusk albums; Caillat recalls being around the likes of Mick Fleetwood and John McVie as a child.
The popularity of Caillat's MySpace profile led her to become the number-one unsigned singer in her genre for four months. Her popularity on the social network was partially due to her song "Bubbly," and the songs on her profile have been played more than forty-two million times (as of May 31, 2008). For the week of July 17, 2007, "Bubbly" was featured on the iTunes Store as the free "Single of the Week". The promotion coincided with the release of Coco, her debut studio album. Caillat was also spotlighted by Rhapsody during the 2007 Black Friday Sale at Best Buy.
According to her MySpace profile, Caillat was first inspired to start singing at age 11 when she first heard the Fugees' 1996 version of the song "Killing Me Softly", made famous by Roberta Flack in 1973. Her MySpace profile also states that, though trained at piano from an early age, Caillat did not begin playing guitar until age nineteen. She also auditioned at least once for the television show American Idol, but never made it to the Hollywood rounds.
In May 2008, Caillat recorded a duet with Jason Mraz, called "Lucky," on his album, We Sing, We Dance, We Steal Things. The same month, Caillat recorded a cover of the song "Kiss the Girl" from The Little Mermaid for Disney's DisneyMania vol. 6 CD.
Caillat is currently shooting another music video in Hawaii for her song "The Little Things."
After touring with The Goo Goo Dolls and Lifehouse in 2007, she is now the supporting act for John Mayer in his 2008 Summer Tour.
The popularity of Caillat's MySpace profile led her to become the number-one unsigned singer in her genre for four months. Her popularity on the social network was partially due to her song "Bubbly," and the songs on her profile have been played more than forty-two million times (as of May 31, 2008). For the week of July 17, 2007, "Bubbly" was featured on the iTunes Store as the free "Single of the Week". The promotion coincided with the release of Coco, her debut studio album. Caillat was also spotlighted by Rhapsody during the 2007 Black Friday Sale at Best Buy.
According to her MySpace profile, Caillat was first inspired to start singing at age 11 when she first heard the Fugees' 1996 version of the song "Killing Me Softly", made famous by Roberta Flack in 1973. Her MySpace profile also states that, though trained at piano from an early age, Caillat did not begin playing guitar until age nineteen. She also auditioned at least once for the television show American Idol, but never made it to the Hollywood rounds.
In May 2008, Caillat recorded a duet with Jason Mraz, called "Lucky," on his album, We Sing, We Dance, We Steal Things. The same month, Caillat recorded a cover of the song "Kiss the Girl" from The Little Mermaid for Disney's DisneyMania vol. 6 CD.
Caillat is currently shooting another music video in Hawaii for her song "The Little Things."
After touring with The Goo Goo Dolls and Lifehouse in 2007, she is now the supporting act for John Mayer in his 2008 Summer Tour.
Nobuo Uematsu
Nobuo Uematsu (植松伸夫 Uematsu Nobuo?, born March 21, 1959) is a Japanese video game composer and musician, best known for scoring the majority of titles in the Final Fantasy series. He is regarded as one of the most famous and respected composers in the video game community. Uematsu is a self-taught musician; he began to play the piano at the age of eleven or twelve, with Elton John as his biggest influence.
Uematsu joined Square (later Square Enix) in 1985, where he met Final Fantasy creator Hironobu Sakaguchi. They have worked together on numerous titles, most notably the games in the Final Fantasy series. After nearly 20 years in the company, he left Square Enix in 2004 and founded his own company called Smile Please, as well as the music production company Dog Ear Records. He has since composed music as a freelancer for video games primarily developed by Square Enix and Sakaguchi's development studio Mistwalker.
A handful of soundtracks and arranged albums of Uematsu's game scores have been released. Pieces from his video game works have been performed in concerts worldwide, and numerous Final Fantasy concerts have also been held. He has worked with Grammy Award-winning conductor Arnie Roth on several of these concerts. In 2002, he formed a rock band with colleagues Kenichiro Fukui and Tsuyoshi Sekito called The Black Mages, in which Uematsu plays the keyboard. The band plays arranged rock versions of Uematsu's Final Fantasy compositions.
Uematsu joined Square (later Square Enix) in 1985, where he met Final Fantasy creator Hironobu Sakaguchi. They have worked together on numerous titles, most notably the games in the Final Fantasy series. After nearly 20 years in the company, he left Square Enix in 2004 and founded his own company called Smile Please, as well as the music production company Dog Ear Records. He has since composed music as a freelancer for video games primarily developed by Square Enix and Sakaguchi's development studio Mistwalker.
A handful of soundtracks and arranged albums of Uematsu's game scores have been released. Pieces from his video game works have been performed in concerts worldwide, and numerous Final Fantasy concerts have also been held. He has worked with Grammy Award-winning conductor Arnie Roth on several of these concerts. In 2002, he formed a rock band with colleagues Kenichiro Fukui and Tsuyoshi Sekito called The Black Mages, in which Uematsu plays the keyboard. The band plays arranged rock versions of Uematsu's Final Fantasy compositions.
Nikolay Afanasyev
Nikolay Yakovlevich Afanasyev was an Imperial Russian violin virtuoso and composer. His memoirs 'Vospominaniya' appeared in 1890, and recorded his experiences as a touring musician, as part of a panorama of Russian musical life during the mid 19th century.
Laurentis Mahairitsas
Lavrentis Machairitsas (Greek: Λαυρέντης Μαχαιρίτσας; 5 November 1956 – 9 September 2019) was a Greek rock musician from Volos, Thessaly, Greece.Machairitsas was born in Volos and began taking piano lessons at the age of six. These lessons lasted a year. At the age of nine he bought his first record, Help! by the Beatles. Three years later, he discovered Revolver by the Beatles.His first job was at a record store, but because of his lack of punctuality he was fired. He disliked school, and after he started a fight with one of his teachers, he was expelled and excluded from all high schools. He went through countless jobs and served in the army for 14 months.
Venanzio Cellitti
Venanzio Cellitti. Performers, computer.. Composer.
Randy Crawford
Veronica "Randy" Crawford (born February 18, 1952, Macon, Georgia) is an American jazz and R&B singer. She has been more successful in Europe than in the United States, where she has not entered the Billboard Hot 100 as a solo artist. Her only appearance on the Hot 100 chart was in 1979 as a guest vocalist on The Crusaders's top 40 hit "Street Life". She has had five Top 20 hits in the UK, including her 1980 number 2 hit, "One Day I'll Fly Away", as well as six UK Top 10 albums. Despite her American nationality, she won Best British Female Solo Artist in recognition of her popularity in the UK at the 1982 Brit Awards. In the late 2000s she received her first two Grammy Award nominations.
Alan Silvestri
Alan Anthony Silvestri (born March 26, 1950) is an Academy Award-nominated American film score composer and conductor.
estri is best known for his collaborations with director Robert Zemeckis, having scored Romancing the Stone (1984), the Back to the Future trilogy (1985, 1989, 1990), Who Framed Roger Rabbit (1988), Death Becomes Her (1992), Forrest Gump (1994), Contact (1997), Cast Away (2000), The Polar Express (2004) , Beowulf (2007) and Disney's A Christmas Carol (2009).
Silvestri is also known for his work on Predator (1987) and Predator 2 (1990), both of which are considered preeminent examples of action/sci-fi film scores. He has also begun a collaboration with director Stephen Sommers, scoring the films The Mummy Returns in 2001, Van Helsing in 2004 and G.I. Joe: The Rise of Cobra in 2009.
Silvestri also composed music for television, including for the series Starsky & Hutch, CHiPs , Manimal and HBO's Tales from the Crypt.
Silvestri was 21 years old when he started his film/televsion composing career.
His early style is marked by a strong use of the "octatonic scale," as well as an eclectic use of different notes and instruments.
It was thought that Silvestri was allegedly inspired by the works of Barry DeVorzon, Perry Botkin, Jr., Lalo Schifrin, Jerry Fielding, Jerry Goldsmith and John Williams.
estri is best known for his collaborations with director Robert Zemeckis, having scored Romancing the Stone (1984), the Back to the Future trilogy (1985, 1989, 1990), Who Framed Roger Rabbit (1988), Death Becomes Her (1992), Forrest Gump (1994), Contact (1997), Cast Away (2000), The Polar Express (2004) , Beowulf (2007) and Disney's A Christmas Carol (2009).
Silvestri is also known for his work on Predator (1987) and Predator 2 (1990), both of which are considered preeminent examples of action/sci-fi film scores. He has also begun a collaboration with director Stephen Sommers, scoring the films The Mummy Returns in 2001, Van Helsing in 2004 and G.I. Joe: The Rise of Cobra in 2009.
Silvestri also composed music for television, including for the series Starsky & Hutch, CHiPs , Manimal and HBO's Tales from the Crypt.
Silvestri was 21 years old when he started his film/televsion composing career.
His early style is marked by a strong use of the "octatonic scale," as well as an eclectic use of different notes and instruments.
It was thought that Silvestri was allegedly inspired by the works of Barry DeVorzon, Perry Botkin, Jr., Lalo Schifrin, Jerry Fielding, Jerry Goldsmith and John Williams.
Rachmaninoff
Sergei Vasilievich Rachmaninoff (1 April 1873 - 28 March 1943) was a Russian composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers gave way to a thoroughly personal idiom which included a pronounced lyricism, expressive breadth, structural ingenuity and a tonal palette of rich, distinctive orchestral colors.
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Shelton Brooks
Shelton Brooks was a Canadian-born African American composer of popular music and jazz. He was known for his ragtime and vaudeville style, and wrote some of the biggest hits of the first third of the 20th century.
Music theory
Music theory is the study of the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music theory"
Fernando Ortega
Juan Fernando Ortega is a singer-songwriter in contemporary Christian music. He is noted both for his interpretations of many traditional hymns and songs, such as "Give Me Jesus", "Be Thou My Vision" and "Praise to the Lord, the Almighty", and for writing clear and easily understood songs such as "This Good Day".
Andrey Rubtsov
Andrey Rubtsov was born in Moscow. In 2011 he graduated with top honors from the Royal Academy of Music. Andrey Rubtsov was an assistant to Donald Runnicles at BBC Scottish Symphony Orchestra 2014-16 as well as Leverhulme Conducting Fellow at the Royal Conservatoire of Scotland. The Fellowship granted him opportunities to work many times with the Scottish Opera, RSNO and Red Note Ensemble.
Simple Plan
Simple Plan is a French Canadian pop punk band based in Montreal, Quebec. The band has released three studio albums: No Pads, No Helmets...Just Balls (2002), Still Not Getting Any... (2004), and Simple Plan (2008); as well as two widely marketed live albums: Live in Japan 2002 (2003) and MTV Hard Rock Live (2005).
Members:
Pierre Bouvier – Lead vocals, occasional guitar
Jeff Stinco – Lead guitar
Sébastien Lefebvre – Rhythm guitar, vocals
Chuck Comeau – Drums
David Desrosiers – Bass, vocals
Members:
Pierre Bouvier – Lead vocals, occasional guitar
Jeff Stinco – Lead guitar
Sébastien Lefebvre – Rhythm guitar, vocals
Chuck Comeau – Drums
David Desrosiers – Bass, vocals
fats waller
Thomas Wright "Fats" Waller (May 21, 1904 – December 15, 1943) was an American jazz pianist, organist, composer, violinist, singer, and comedic entertainer. His innovations in the Harlem stride style laid the groundwork for modern jazz piano. His best-known compositions, "Ain't Misbehavin'" and "Honeysuckle Rose", were inducted into the Grammy Hall of Fame in 1984 and 1999. Waller copyrighted over 400 songs, many of them co-written with his closest collaborator, Andy Razaf. Razaf described his partner as "the soul of melody... a man who made the piano sing... both big in body and in mind... known for his generosity... a bubbling bundle of joy". It's possible he composed many more popular songs and sold them to other performers when times were tough.
Franz Liszt
Franz Liszt (Hungarian: Ferencz Liszt, in modern usage Ferenc Liszt, from 1859 to 1865 officially Franz Ritter von Liszt) (October 22, 1811 – July 31, 1886) was a Hungarian composer, virtuoso pianist and teacher. He was also the father-in-law of Richard Wagner. In 1865 he became abbot in the Roman Catholic Church.
Liszt became renowned throughout Europe during the 19th century for his great skill as a performer. He was said by his contemporaries to have been the most technically advanced pianist of his age and perhaps the greatest pianist of all time. He was also an important and influential composer, a notable piano teacher, a conductor who contributed significantly to the modern development of the art, and a benefactor to other composers and performers, notably Richard Wagner, Hector Berlioz, Camille Saint-Saëns, Edvard Grieg and Alexander Borodin.
As a composer, Liszt was one of the most prominent representatives of the "Neudeutsche Schule" ("New German School"). He left behind a huge and diverse body of work, in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form and making radical departures in harmony.
Liszt became renowned throughout Europe during the 19th century for his great skill as a performer. He was said by his contemporaries to have been the most technically advanced pianist of his age and perhaps the greatest pianist of all time. He was also an important and influential composer, a notable piano teacher, a conductor who contributed significantly to the modern development of the art, and a benefactor to other composers and performers, notably Richard Wagner, Hector Berlioz, Camille Saint-Saëns, Edvard Grieg and Alexander Borodin.
As a composer, Liszt was one of the most prominent representatives of the "Neudeutsche Schule" ("New German School"). He left behind a huge and diverse body of work, in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form and making radical departures in harmony.
Stephen Sondheim
Stephen Joshua Sondheim (born March 22, 1930) is an American composer and lyricist for stage and film. He is the winner of an Academy Award, multiple Tony Awards (nine, more than any other composer) including the Special Tony Award for Lifetime Achievement in the Theatre (received 2008), multiple Grammy Awards, and a Pulitzer Prize. He has been described as "the greatest and perhaps best-known artist in the American musical theatre." His most famous scores include (as composer/lyricist) A Funny Thing Happened on the Way to the Forum, Company, Follies, A Little Night Music, Sweeney Todd, Sunday in the Park with George, Into the Woods, and Assassins, as well as the lyrics for West Side Story and Gypsy. He was president of the Dramatists Guild from 1973 to 1981.
Ryuichi Sakamoto
Ryuichi Sakamoto (坂本 龍一 Sakamoto Ryūichi?, born January 17, 1952) is an Academy Award-, Grammy-, and Golden Globe-winning Japanese musician, composer, record producer and actor, based in New York and Tokyo. He played keyboards in the influential Japanese electropop band Yellow Magic Orchestra. His 1999 musical composition "Energy Flow" is the first number-one instrumental single in the Japan's Oricon charts history. He was ranked at number 59 in a list of the top 100 most influential musicians compiled by HMV Japan.
Chicago
Chicago is a Kander and Ebb musical set in prohibition era Chicago. The book is by Ebb and Bob Fosse. The story is a satire on corruption in the administration of criminal justice, and the concept of the "celebrity criminal." The musical is based on a 1926 play of the same name by reporter Maurine Dallas Watkins about actual criminals and crimes she had reported on.
The original 1975 Broadway production ran for a total of 936 performances. Bob Fosse choreographed the original production, and his style is strongly identified with the show. Chicago's 1996 Broadway revival holds the record for the longest-running musical revival on Broadway (not counting the revue Oh! Calcutta!) and, as of March 2, 2008, it has played for more than 4,684 performances. The revival was followed by a production on London's West End and several tours and international productions. An Academy Award-winning film version of the musical was released in 2002.
The original 1975 Broadway production ran for a total of 936 performances. Bob Fosse choreographed the original production, and his style is strongly identified with the show. Chicago's 1996 Broadway revival holds the record for the longest-running musical revival on Broadway (not counting the revue Oh! Calcutta!) and, as of March 2, 2008, it has played for more than 4,684 performances. The revival was followed by a production on London's West End and several tours and international productions. An Academy Award-winning film version of the musical was released in 2002.
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Echevarría, Victorino
Most widely held works about Victorino Echevarría. Twentieth century Spanish composers for the harp : a study of Spanish folk elements in selected solo harp ...
Pascal Bentoiu
Pascal Bentoiu Pascal Bentoiu (22 April 1927 – 21 February 2016) was a Romanian modernist composer.Bentoiu studied harmony, counterpoint and composition with Mihail Jora and piano with Theophil Demetriescu. He spent three years researching the rhythm and harmony of Romanian folk music at the Bucharest Folklore Institute and then began composing for the stage. His operas are written with dramatic flair and make use of a variety of elements, including folksong, tape, serialism and diatonic qualities. His instrumental and orchestral works also contain a variety of contemporary techniques, and Bentoiu's work is characterized by its color and lyricism.He has edited the sketches of the Fourth (1934) and Fifth (1941) Symphonies of Georges Enescu into shape for performance. (There is a recording of both realizations from a 1998 festival.)
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