Violin Sheet Music
Joe Hisaishi
Mamoru Fujisawa (藤澤 守 Fujisawa Mamoru?), known professionally as Joe Hisaishi (久石 譲 Hisaishi Jō?, born December 6, 1950), is a composer and director known for over 100 film scores and solo albums dating back to 1981.
While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical. Lesser known are the other musical roles he plays; he is also a typesetter, author, arranger, and head of an orchestra.
He is best known for his work with animator Hayao Miyazaki, having composed scores for many of his films including Nausicaä of the Valley of the Wind (1984), My Neighbor Totoro (1988), Princess Mononoke (1997), Spirited Away (2001), Howl's Moving Castle (2004) and Ponyo (2008). He is also recognized for the soundtracks he has provided for filmmaker 'Beat' Takeshi Kitano, including Dolls (2002), Kikujiro (1999), Hana-bi (1997), Kids Return (1996), Sonatine (1993).
While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical. Lesser known are the other musical roles he plays; he is also a typesetter, author, arranger, and head of an orchestra.
He is best known for his work with animator Hayao Miyazaki, having composed scores for many of his films including Nausicaä of the Valley of the Wind (1984), My Neighbor Totoro (1988), Princess Mononoke (1997), Spirited Away (2001), Howl's Moving Castle (2004) and Ponyo (2008). He is also recognized for the soundtracks he has provided for filmmaker 'Beat' Takeshi Kitano, including Dolls (2002), Kikujiro (1999), Hana-bi (1997), Kids Return (1996), Sonatine (1993).
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Trinh Cong Son
Trinh Cong Son (Trịnh Công Sơn) (February 28, 1939 – April 1, 2001) was a Vietnamese composer, musician, painter and songwriter. He, along with Pham Duy and Van Cao, is widely considered one of the three most salient figures of modern (non-classical) Vietnamese music.
Trinh Cong Son wrote over 600 songs, and, during the 1960s and 1970s, Joan Baez dubbed him the Bob Dylan of Vietnam for his moving antiwar songs. He became one of South Vietnam's best-known singer-songwriters, after his first hit, Ướt mi (Tearing 'Lashes) in 1957. He was frequently under pressure from the government, which was displeased with the pacifist's lyrics of such songs as Ngủ đi con (Lullaby, about a mother grieving for her soldier son). After the reunification in 1975, Son was sentenced by the new communist government, to "retraining" in a labour camp after his family fled to Canada. However, he was eventually honoured by the government and many officials sent their respects with floral tributes. His often melancholy songs about love and postwar reconciliation earned new acceptance and popularity in later years.
There are two singers' names often associated with Trinh Cong Son. One is Khanh Ly. The other one is Hong Nhung.
Khanh Ly, with her unique vocals, helped popularize Trinh Cong Son music in the early years. They often performed together in South Vietnam University Campuses. The voice and the music seemed to be inseparable.
Later on in his life, Hong Nhung, many years his junior, replaced Khanh Ly's place until his death.
Hundreds of thousands of people gathered at his funeral in Ho Chi Minh city, for a spontaneous ad hoc funeral concert, making such a spectacle the largest in Vietnamese history, next to the funeral procession of Ho Chi Minh. His music remains very popular among Vietnamese, old and young.
Trinh Cong Son wrote over 600 songs, and, during the 1960s and 1970s, Joan Baez dubbed him the Bob Dylan of Vietnam for his moving antiwar songs. He became one of South Vietnam's best-known singer-songwriters, after his first hit, Ướt mi (Tearing 'Lashes) in 1957. He was frequently under pressure from the government, which was displeased with the pacifist's lyrics of such songs as Ngủ đi con (Lullaby, about a mother grieving for her soldier son). After the reunification in 1975, Son was sentenced by the new communist government, to "retraining" in a labour camp after his family fled to Canada. However, he was eventually honoured by the government and many officials sent their respects with floral tributes. His often melancholy songs about love and postwar reconciliation earned new acceptance and popularity in later years.
There are two singers' names often associated with Trinh Cong Son. One is Khanh Ly. The other one is Hong Nhung.
Khanh Ly, with her unique vocals, helped popularize Trinh Cong Son music in the early years. They often performed together in South Vietnam University Campuses. The voice and the music seemed to be inseparable.
Later on in his life, Hong Nhung, many years his junior, replaced Khanh Ly's place until his death.
Hundreds of thousands of people gathered at his funeral in Ho Chi Minh city, for a spontaneous ad hoc funeral concert, making such a spectacle the largest in Vietnamese history, next to the funeral procession of Ho Chi Minh. His music remains very popular among Vietnamese, old and young.
Offenbach
Jacques Offenbach (20 June 1819 – 5 October 1880) was a Prussian-born French composer, cellist and impresario. He is remembered for his nearly 100 operettas of the 1850s–1870s and his uncompleted opera The Tales of Hoffmann. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss, Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. The Tales of Hoffman remains part of the standard opera repertory.
Traditional
Noriyasu Agematsu
Noriyasu Agematsu (上松 範康, Agematsu Noriyasu, born March 1, 1978 in Nagano) is a Japanese composer and founding member of the musical group Elements Garden.He composed and arranged tracks on Nana Mizuki's singles Massive Wonders and Eternal Blaze, "Brave Phoenix" on the single Super Generation and the track "Tears' Night" on the album Alive & Kicking, composed the track Shin'ai and the music for "UNCHAIN∞WORLD" on the single Silent Bible. He composed and arranged the music for the track "Heart-shaped chant" on the single Secret Ambition and the track Justice to Believe. He composed the music for the track Mugen and the tracks "Trickster" and "DISCOTHEQUE" from the single Trickster. Along with his fellow Elements Garden members, he is the composer and arranger for the BanG Dream! franchise, including overseeing music production for its anime.
pat metheny
Patrick Bruce "Pat" Metheny (/məˈθiːni/ mə-thee-nee; born August 12, 1954) is an American jazz guitarist and composer.
He is the leader of the Pat Metheny Group and is also involved in duets, solo works and other side projects. His style incorporates elements of progressive and contemporary jazz, post-bop, latin jazz and jazz fusion. Pat Metheny has three gold albums and 20 Grammy Awards. He is the brother of jazz flugelhornist and journalist Mike Metheny.
He is the leader of the Pat Metheny Group and is also involved in duets, solo works and other side projects. His style incorporates elements of progressive and contemporary jazz, post-bop, latin jazz and jazz fusion. Pat Metheny has three gold albums and 20 Grammy Awards. He is the brother of jazz flugelhornist and journalist Mike Metheny.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Jeff Nevin
Nevin, PhD., is one of America's leading mariachi educators and performers. Dr. Nevin is currently Professor of Music and Director of Mariachi Activities at Southwestern College in Chula Vista, California, where he has developed a mariachi curriculum that is the first such program of its kind.
Paul Gitlitz
Paul is a very prolific multi instrumentalist musician who plays many instruments, he gives lessons in fiddle, mandolin, tenor banjo, guitar.His is the fiddle instructor at the Nanaimo Conservatory of Music. He has published several tune books and his tunes have been included in many others. Many of his pieces have been recorded by various artists. He also runs his own recording studio. I think he also has a good sense of humour judging by some of the somewhat whimsical titles of some of his tunes.
Heinrich Panofka
Heinrich Panofka (3 October 1807 – 18 November 1887) was a German violinist, voice teacher, writer on music and composer.Panofka was born in Breslau (present-day Wrocław) in 1807. As a child, he made rapid progress on the violin, and first performed in public aged ten. In 1824 he went to Breslau University to study law, according to the wishes of his father; afterward, following his own wishes, he went to Vienna where he was a student of the violinist Joseph Mayseder.
The Secret Garden
The Secret Garden is a musical based on the 1909 novel of the same name by Frances Hodgson Burnett. The musical's book and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway at the St. James Theatre on 25 April 1991 and closed on 3 January 1993 after 709 performances.
The musical, set in 1906, tells of a young English girl, Mary, who is forced to move to England from colonial India when her parents die in a cholera outbreak. There she lives with her emotionally stunted Uncle Archibald and her invalid cousin. Discovering a hidden and neglected garden, and bravely overcoming dark forces, she and a young gardener bring it back to life at the same time as she brings new life to her cousin and uncle.
The Secret Garden garnered the 1991 Tony Awards for Best Book of a Musical, Best Featured Actress in a Musical (Daisy Eagan), and Best Scenic Design (Heidi Landesman). The set resembled an enormous Victorian toy theatre with pop-out figures, large paper dolls, and Joseph Cornell-like collage elements.
The musical, set in 1906, tells of a young English girl, Mary, who is forced to move to England from colonial India when her parents die in a cholera outbreak. There she lives with her emotionally stunted Uncle Archibald and her invalid cousin. Discovering a hidden and neglected garden, and bravely overcoming dark forces, she and a young gardener bring it back to life at the same time as she brings new life to her cousin and uncle.
The Secret Garden garnered the 1991 Tony Awards for Best Book of a Musical, Best Featured Actress in a Musical (Daisy Eagan), and Best Scenic Design (Heidi Landesman). The set resembled an enormous Victorian toy theatre with pop-out figures, large paper dolls, and Joseph Cornell-like collage elements.
Erik Satie
Éric Alfred Leslie Satie, who signed his name Erik Satie after 1884, was a French composer and pianist. Satie was an influential artist in the late 19th- and early 20th-century Parisian avant-garde.
Old Crow Medicine Show
Old Crow Medicine Show is an Americana string band based in Nashville, Tennessee, that has been recording since 1998. They were inducted into the Grand Ole Opry on September 17, 2013. Their ninth album, Remedy, released in 2014, won the Grammy Award for Best Folk Album. The group's music has been called old-time, folk, and alternative country. Along with original songs, the band performs many pre-World War II blues and folk songs.
Laura Pausini
Laura Pausini (born May 16, 1974) is an Italian pop singer, popular in several European, Latin American, and Middle Eastern countries, famed for her powerful voice, her romantic adult contemporary ballads and love songs. She is fluent in several languages and has recorded songs in Italian, Spanish and English. She has also recorded some songs in Portuguese, a language of which she has a good (but not excellent) knowledge, and French, which she does not speak at all. At the 2006 Grammy Awards, Pausini won Best Latin Pop Album for Escucha.
Franz Schubert
Franz Peter Schubert (German pronunciation: ; January 31, 1797 – November 19, 1828) was an Austrian composer. He wrote some 600 Lieder, nine symphonies (including the famous "Unfinished Symphony"), liturgical music, operas, some incidental music, and a large body of chamber and solo piano music. He is particularly noted for his original melodic and harmonic writing.
Schubert was born into a musical family, and received formal musical training through much of his childhood. While Schubert had a close circle of friends and associates who admired his work (amongst them the prominent singer Johann Michael Vogl), wide appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. He made some money from published works, and occasionally gave private musical instruction. In the last year of his life he began to receive wider acclaim. He died at the age of 31 of "typhoid fever", a diagnosis which was vague at the time; several scholars suspect the real illness was tertiary syphilis.
Interest in Schubert's work increased dramatically in the decades following his death. Composers like Franz Liszt, Robert Schumann and Felix Mendelssohn discovered, collected, and championed his works in the 19th century, as did musicologist Sir George Grove. Franz Schubert is now widely considered to be one of the greatest composers in the Western tradition.
Schubert was born into a musical family, and received formal musical training through much of his childhood. While Schubert had a close circle of friends and associates who admired his work (amongst them the prominent singer Johann Michael Vogl), wide appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. He made some money from published works, and occasionally gave private musical instruction. In the last year of his life he began to receive wider acclaim. He died at the age of 31 of "typhoid fever", a diagnosis which was vague at the time; several scholars suspect the real illness was tertiary syphilis.
Interest in Schubert's work increased dramatically in the decades following his death. Composers like Franz Liszt, Robert Schumann and Felix Mendelssohn discovered, collected, and championed his works in the 19th century, as did musicologist Sir George Grove. Franz Schubert is now widely considered to be one of the greatest composers in the Western tradition.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Music theory
Music theory is the study of the practices and possibilities of music. The Oxford Companion to Music describes three interrelated uses of the term "music theory"
Yuki Kajiura
Yuki Kajiura (梶浦 由記 Kajiura Yuki?, born August 6, 1965 in Tokyo, Japan) is a Japanese composer and music producer. She has provided the music for several popular anime series, such as the final Kimagure Orange Road movie, Noir, .hack//Sign, Aquarian Age, Madlax, My-HiME, My-Otome, .hack//Roots, Pandora Hearts, Puella Magi Madoka Magica, Sword Art Online, Tsubasa Chronicle and the Kara no Kyoukai movies (amongst others). She also assisted Toshihiko Sahashi with Mobile Suit Gundam SEED and Mobile Suit Gundam SEED Destiny. Kajiura has also composed for video games, including the cutscene music for Xenosaga II and the entire Xenosaga III game soundtrack.
Chase
Chase is an American jazz rock band. They are best known for their hit single, "Get It On" (1971).
The band Chase was created in 1970 by Bill Chase, Ted Piercefield, Alan Ware, and Jerry Van Blair, all veteran jazz trumpeters who were also adept at vocals and arranging. They were backed up by a rhythm section consisting of Phil Porter on keyboards, Angel South (born Lucian Gondron) on guitar, Dennis Johnson on bass, and Jay Burrid (born John Mitthauer) on percussion. Rounding out the group was Terry Richards, who was featured as lead vocalist on the first album. In April 1971, the band released their debut album, Chase, which contains Chase's best-known song, "Get It On", released as a single that spent 13 weeks on Billboard's Hot 100 beginning in May 1971, eventually peaking at #24 in July of that year. The song features what Jim Szantor of Downbeat magazine called "the hallmark of the Chase brass—complex cascading lines; a literal waterfall of trumpet timbre and technique". The band received a Best New Artist Grammy Award nomination, but was edged out by Carly Simon. 1971 proved to be the band's most fruitful with television spots on the Tonight Show and Tommy Smother's Organic Prime Time Space Ride. Chicago's WBBM televised a 1/2 hour special featuring the group but was aired only around the Chicago area. Appearances at both the Kansas City Jazz and Newport Jazz Festival boosted the band's popularity.
The band Chase was created in 1970 by Bill Chase, Ted Piercefield, Alan Ware, and Jerry Van Blair, all veteran jazz trumpeters who were also adept at vocals and arranging. They were backed up by a rhythm section consisting of Phil Porter on keyboards, Angel South (born Lucian Gondron) on guitar, Dennis Johnson on bass, and Jay Burrid (born John Mitthauer) on percussion. Rounding out the group was Terry Richards, who was featured as lead vocalist on the first album. In April 1971, the band released their debut album, Chase, which contains Chase's best-known song, "Get It On", released as a single that spent 13 weeks on Billboard's Hot 100 beginning in May 1971, eventually peaking at #24 in July of that year. The song features what Jim Szantor of Downbeat magazine called "the hallmark of the Chase brass—complex cascading lines; a literal waterfall of trumpet timbre and technique". The band received a Best New Artist Grammy Award nomination, but was edged out by Carly Simon. 1971 proved to be the band's most fruitful with television spots on the Tonight Show and Tommy Smother's Organic Prime Time Space Ride. Chicago's WBBM televised a 1/2 hour special featuring the group but was aired only around the Chicago area. Appearances at both the Kansas City Jazz and Newport Jazz Festival boosted the band's popularity.
Camargo Guarnieri
Mozart Camargo Guarnieri (February 1, 1907 – January 13, 1993) was a Brazilian composerGuarnieri was born in Tietê, São Paulo, and registered at birth as Mozart Guarnieri, but when he began a musical career, he decided his first name was too pretentious and subject to puns. Thus he adopted his mother's maiden name Camargo as a middle name, and thenceforth signed himself M. Camargo Guarnieri. In 1948, he legally changed his name to Mozart Camargo Guarnieri, but continued to sign only the initial of his first name. One of his brothers was named Rossine (a Portuguese misspelling of Rossini) Guarnieri, another one Verdi Guarnieri.
bijan mortazavi
Bijan Mortazavi (Persian: بیژن مرتضوی, born November 16, 1957) is an Iranian virtuoso violinist, musician, composer, songwriter, arranger and singer.Born in the city of Sari, Iran. Mortazavi studied music in Tehran. He was trained in improvisation, orchestration, arrangement, quarter tone technique, and dastgah by various well-known violinists in Iran.
My Dying Bride
My Dying Bride are an English doom metal band formed in Bradford. Since their inception in 1990, they have released 13 studio albums, three EPs, one demo, one box set, four compilation albums, one live album, and one live CD/DVD release.
Leroy Anderson
Leroy Anderson (/ləˈrɔɪ/ ~ le-roy, not "lee-roy"; June 29, 1908 – May 18, 1975) was an American composer of short, light concert pieces, many of which were introduced by the Boston Pops Orchestra under the direction of Arthur Fiedler. John Williams described him as "one of the great American masters of light orchestral music."
Suzuki method
The Suzuki method is a music curriculum and teaching philosophy dating from the mid-20th century, created by Japanese violinist and pedagogue Shinichi Suzuki (1898–1998). The method aims to create an environment for learning music which parallels the linguistic environment of acquiring a native language. Suzuki believed that this environment would also help to foster good moral character.
Dietrich Buxtehude
Dieterich Buxtehude (German: ; Danish: Diderich, pronounced ; c. 1637/39 – 9 May 1707) was a Danish-German organist and composer of the Baroque period. His organ works represent a central part of the standard organ repertoire and are frequently performed at recitals and in church services. He composed in a wide variety of vocal and instrumental idioms, and his style strongly influenced many composers, including Johann Sebastian Bach, his student. Today, Buxtehude is considered one of the most important composers in Germany of the mid-Baroque.
Pachelbel
Johann Pachelbel (baptized September 1, 1653 – buried March 9, 1706) was a German Baroque composer, organist and teacher who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Robert Schumann
Robert Schumann (German: ; 8 June 1810 – 29 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
Philippe Bredif
Philippe Petit is a French high-wire artist who gained fame for his unauthorized high-wire walks between the towers of Notre Dame Cathedral in Paris in 1971 and of Sydney Harbour Bridge in 1973, as well as between the Twin Towers of the World Trade Center in New York City on the morning of 7 August 1974.
Paganini
Niccolò Paganini (27 October 1782 – 27 May 1840) was an Italian violinist, violist, guitarist, and composer. He was one of the most celebrated violin virtuosi of his time, and left his mark as one of the pillars of modern violin technique. His caprice in A minor, Op. 1 No. 24 is among his best known of compositions, and serves as inspiration for many prominent artists.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Paganini composed his own works to play exclusively in his concerts, all of which had profound influences on the evolution of violin techniques. His 24 Caprices were probably composed in the period between 1805 to 1809, while he was in the service of the Baciocchi court. Also during this period, he composed the majority of the solo pieces, duo-sonatas,trios and quartets for the guitar. These chamber works may have been inspired by the publication, in Lucca, of the guitar quintets of Boccherini. Many of his variations (and he has become the de facto master of this musical genre), including Le Streghe, The Carnival of Venice, and Nel cor più non mi sento, were composed, or at least first performed, before his European concert tour.
Playbill of Paganini's concert at the Covent Garden in 1832. Note that all solo pieces were of his composition, which was typical of all his concerts.
Generally speaking, Paganini's compositions were technically imaginative, and the timbre of the instrument was greatly expanded as a result of these works. Sounds of different musical instruments and animals were often imitated. One such composition was titled Il Fandango Spanolo (The Spanish Dance), which featured a series of humorous imitations of farm animals. Even more outrageous was a solo piece Duetto Amoroso, in which the sighs and groans of lovers were intimately depicted on the violin. Fortunately there survives a manuscript of the Duetto which has been recorded, while the existence of the Fandango is known only through concert posters.
However, his works were criticized for lacking characteristics of true polyphonism, as pointed out by Eugène Ysaÿe. Yehudi Menuhin, on the other hand, suggested that this might have been the result of his reliance on the guitar (in lieu of the piano) as an aid in composition. The orchestral parts for his concertos were often polite, unadventurous, and clearly supportive of the soloist. In this, his style is consistent with that of other Italian composers such as Paisiello, Rossini and Donizetti, who were influenced by the guitar-song milieu of Naples during this period.
Paganini was also the inspiration of many prominent composers. Both "La Campanella" and the A minor caprice (Nr. 24) have been an object of interest for a number of composers. Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Boris Blacher, Andrew Lloyd Webber, George Rochberg and Witold Lutosławski, among others, wrote well-known variations on these themes.
Chopin
Frédéric Chopin (1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Alexander Ilyinsky
Alexander Alexandrovich Ilyinsky was a Russian music teacher and composer, best known for the Lullaby, Op. 13, No. 7, from his orchestral suite "Noure and Anitra", and for the opera The Fountain of Bakhchisaray set to Pushkin's poem of the same name. Alexander Ilyinsky was born in Tsarskoye Selo in 1859.
Ludwig van Beethoven
Ludwig van Beethoven (/ˈlʊdvɪɡ væn ˈbeɪt(h)oʊvən/ (About this soundlisten); German: (About this soundlisten); baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the classical and romantic eras in classical music, he remains one of the most recognized and influential musicians of this period, and is considered to be one of the greatest composers of all time.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Edgardo Donato
Edgardo Donato (Spanish pronunciation: ; April 14, 1897 – February 15, 1963) was a tango composer and orchestra leader, born in Buenos Aires, Argentina, raised from a young age and musically trained in Montevideo, Uruguay.
Têtes Raides
Têtes Raides Musical group Têtes Raides is a French folk rock group. Wikipedia Songs Ginette Not dead but bien raides · 1989 Gino Les Oiseaux · 2018 L'iditenté Gratte poil · 2000.
David Hurtado
David Hurtado Musical artist Songs Le Cygne Piezas para Flauta y Piano (Pieces for Flute And Piano) · 2013
Estudio para Piano, Op. 100: Arabescos J. F. Burgmüller: 25 Estudios Para Piano & Muzio Clementi: Sonatinas Para Piano · 2013 Música Española para Flauta Del Siglo XIX
Estudio para Piano, Op. 100: Arabescos J. F. Burgmüller: 25 Estudios Para Piano & Muzio Clementi: Sonatinas Para Piano · 2013 Música Española para Flauta Del Siglo XIX
Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy, born, and generally known in English-speaking countries, as Felix Mendelssohn (February 3, 1809 – November 4, 1847) was a German composer, pianist, organist and conductor of the early Romantic period.
The grandson of the philosopher Moses Mendelssohn, he was born into a notable Jewish family, although he himself was brought up initially without religion, and later as a Lutheran. He was recognized early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his abilities. Indeed his father was disinclined to allow Felix to follow a musical career until it became clear that he intended to seriously dedicate himself to it.
Early success in Germany was followed by travel throughout Europe; Mendelssohn was particularly well received in England as a composer, conductor and soloist, and his ten visits there, during which many of his major works were premiered, form an important part of his adult career. His essentially conservative musical tastes however set him apart from many of his more adventurous musical contemporaries such as Liszt, Wagner and Berlioz. The Conservatory he founded at Leipzig became a bastion of this anti-radical outlook.
Mendelssohn's work includes symphonies, concerti, oratorios, piano and chamber music. He also had an important role in the revival of interest in the music of Johann Sebastian Bach. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality is now being recognized and re-evaluated. He is now among the most popular composers of the Romantic era.
The grandson of the philosopher Moses Mendelssohn, he was born into a notable Jewish family, although he himself was brought up initially without religion, and later as a Lutheran. He was recognized early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his abilities. Indeed his father was disinclined to allow Felix to follow a musical career until it became clear that he intended to seriously dedicate himself to it.
Early success in Germany was followed by travel throughout Europe; Mendelssohn was particularly well received in England as a composer, conductor and soloist, and his ten visits there, during which many of his major works were premiered, form an important part of his adult career. His essentially conservative musical tastes however set him apart from many of his more adventurous musical contemporaries such as Liszt, Wagner and Berlioz. The Conservatory he founded at Leipzig became a bastion of this anti-radical outlook.
Mendelssohn's work includes symphonies, concerti, oratorios, piano and chamber music. He also had an important role in the revival of interest in the music of Johann Sebastian Bach. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality is now being recognized and re-evaluated. He is now among the most popular composers of the Romantic era.
Sergey Rahmaninov
Sergei Vasilievich Rachmaninoff, Russian composer, conductor, pianist. He is one of the greatest pianists and composers of the 20th century. He was the last great composer of Russian romanticism. After the October Revolution in his country, he settled in the USA and became a US citizen
Nobuo Uematsu
Nobuo Uematsu (植松伸夫 Uematsu Nobuo?, born March 21, 1959) is a Japanese video game composer and musician, best known for scoring the majority of titles in the Final Fantasy series. He is regarded as one of the most famous and respected composers in the video game community. Uematsu is a self-taught musician; he began to play the piano at the age of eleven or twelve, with Elton John as his biggest influence.
Uematsu joined Square (later Square Enix) in 1985, where he met Final Fantasy creator Hironobu Sakaguchi. They have worked together on numerous titles, most notably the games in the Final Fantasy series. After nearly 20 years in the company, he left Square Enix in 2004 and founded his own company called Smile Please, as well as the music production company Dog Ear Records. He has since composed music as a freelancer for video games primarily developed by Square Enix and Sakaguchi's development studio Mistwalker.
A handful of soundtracks and arranged albums of Uematsu's game scores have been released. Pieces from his video game works have been performed in concerts worldwide, and numerous Final Fantasy concerts have also been held. He has worked with Grammy Award-winning conductor Arnie Roth on several of these concerts. In 2002, he formed a rock band with colleagues Kenichiro Fukui and Tsuyoshi Sekito called The Black Mages, in which Uematsu plays the keyboard. The band plays arranged rock versions of Uematsu's Final Fantasy compositions.
Uematsu joined Square (later Square Enix) in 1985, where he met Final Fantasy creator Hironobu Sakaguchi. They have worked together on numerous titles, most notably the games in the Final Fantasy series. After nearly 20 years in the company, he left Square Enix in 2004 and founded his own company called Smile Please, as well as the music production company Dog Ear Records. He has since composed music as a freelancer for video games primarily developed by Square Enix and Sakaguchi's development studio Mistwalker.
A handful of soundtracks and arranged albums of Uematsu's game scores have been released. Pieces from his video game works have been performed in concerts worldwide, and numerous Final Fantasy concerts have also been held. He has worked with Grammy Award-winning conductor Arnie Roth on several of these concerts. In 2002, he formed a rock band with colleagues Kenichiro Fukui and Tsuyoshi Sekito called The Black Mages, in which Uematsu plays the keyboard. The band plays arranged rock versions of Uematsu's Final Fantasy compositions.
DragonForce
DragonForce are a British power metal band from London, England. The band was formed in 1999 by guitarists Herman Li and Sam Totman, and are known for their long and fast guitar solos, fantasy-themed lyrics and retro video game-influenced sound. DragonForce's current lineup comprises Li, Totman, vocalist Marc Hudson and drummer Gee Anzalone. The band have been through a number of lineup changes throughout their career; longtime members in vocalist ZP Theart, keyboardist Vadim Pruzhanov, drummer Dave Mackintosh and bassist Frédéric Leclercq are among the former members of the band.
Calixa Lavallée
Calixa Lavallée (December 28, 1842 – January 21, 1891) was a French-Canadian-American musician and Union Army band musician during the American Civil War. He is best known for composing the music for "O Canada," which officially became the national anthem of Canada in 1980, after a vote in the Senate and the House of Commons. The same 1980 Act of Parliament also changed some of the English lyrics. A slight alteration to the English lyrics was made again in 2018. The original French lyrics and the music, however, have remained unchanged since 1880.